Press Room / Beauty and Power: Renaissance and Baroque Bronzes from the Peter Marino Collection

February 6, 2011

Beauty and Power: Renaissance and Baroque Bronzes from the Peter Marino Collection

Beauty and Power: Renaissance and Baroque Bronzes from the Peter Marino Collection

On view February 6 through May 15, 2011

Rarely seen 16th through 18th century bronze sculptures round out the MIA’s celebration of the Renaissance

Minneapolis, MN. January 11, 2010 – An important international exhibition, “Beauty and Power: Renaissance and Baroque Bronzes from the Peter Marino Collection” opens at the Minneapolis Institute of Arts (MIA) February 6 and runs through May 15. Additionally, the MIA is presenting “Lost Wax, Found Sculpture,” an exhibition that explains the technique of making bronze sculpture according to the historically popular technique of lost-wax casting.

“Beauty and Power” is selected from Marino’s unparalleled private collection of 16th- to 18th- century Italian and French bronzes, and contains many pieces never publicly displayed before the show debuted in early 2010 at the Wallace Collection in London. It comes to the MIA from its only other U.S. venue, the Huntington Library, Art Collections and Botanical Gardens in San Marino, California.

“The MIA is fortunate to be able to show more about thirty bronzes statuettes from Mr. Marino�s exemplary collection that spans the golden age of the art form,” said Eike Schmidt, the James Ford Bell curator of Decorative Art and Sculpture at the MIA. “For three-and-a-half months we are the beneficiaries of his two-decade quest to assemble one of the strongest compilations of Renaissance and Baroque small bronzes in the nation.”

Schmidt said “Beauty and Power” coincides with and complements three other important MIA exhibitions from the same time period: “Titian and the Golden Age of Venetian Paintings: Masterpieces from the National Galleries of Scotland,” “Venice on Paper,” and “The Mourners: Tomb Sculptures form the Court of Burgundy.”

“Hosting four concurrent exhibitions from the same era gives our visitors a rare and very rich overview of the best art being created in the heart of Renaissance Europe,” said Schmidt.

Bronze statuettes became a serious art form in Renaissance Italy when interest in ancient Rome and Roman bronze-casting was revived, often using themes inspired by Greek and Roman mythology. Bronze has always been valued for its surface and molten qualities, which create complex and satisfying sculptural forms full of sensuality and emotion.

Created on a scale that made them easy to collect and display, these bronzes were in demand, and sculptors across Europe created them to showcase their abilities. Included in the show are such works as the powerfully violent Samson and the Philistine (c. 1550-60), attributed to Baccio Bandinelli; the atypical depiction of an at-peace Diana (c. 1720-40) by Antonio Montauti; and Corneille van Cleve’s masterpiece Bacchus and Ariadne (c. 1703-4), showing the romantic encounter between the abandoned goddess and her rescuer. It also includes Florentine sculptor Giovanni Battista Foggini’s heroic David and Goliath (c. 1722), Ferdinando Tacca’s touching Hercules and Iole (c. 1640-50), and Robert Le Lorrain’s symbolically portrayed Andromeda (c. 1695�1700).

About Peter Marino
Peter Marino is a leading international architect based in New York City. Andy Warhol and Yves St. Laurent were early clients when he founded his practice in 1978. His recent endeavors include architectural designs in several cities around the world for such fashion industry icons as Chanel, Louis Vuitton and Dior. An avid art collector, Marino also designed the installation for “Art and Industry: Contemporary Porcelain from Sevres” at the American Craft Museum in 1999 and, in 2010, “Les Lalanne” at Paris’s Musee des Arts Decoratifs.

Catalogue
The exhibition is accompanied by a fully illustrated catalogue written by Jeremy Warren, collections and academic director of the Wallace Collection and curator of the exhibition. Beauty and Power: Renaissance and Baroque Bronzes from the Peter Marino Collection (hardcover $75, soft-cover $45) is available in the Museum Shop, on the first floor.

Lost Wax, Found Sculpture
The stages of bronze making are illustrated in this exhibition with actual models created by Minneapolis College of Art and Design professor Don Myhre, and with images from the 18th�century Encyclop�die by Diderot and D�Alembert. On view in Cargill Gallery, this exhibition will focus on the technical side of bronze casting, complementing the display of stellar examples of Italian and French bronze sculptures in the exhibition �Beauty and Power: Renaissance and Baroque Bronzes from the Peter Marino Collection.�
# # #

About the Minneapolis Institute of Arts
The Minneapolis Institute of Arts (MIA), home to one of the finest encyclopedic art collections in the country, houses more than 80,000 works of art representing 5,000 years of world history. Highlights of the permanent collection include European masterworks by Rembrandt, Poussin, and van Gogh; modern and contemporary painting and sculpture by Picasso, Matisse, Mondrian, Stella, and Close; as well as internationally significant collections of prints and drawings, decorative arts, Modernist design, photographs, textiles, and Asian, African, and Native American art. General admission is always free. Some special exhibitions have a nominal admission fee. Museum hours: Sunday, 11 -5 p.m.; Tuesday, Wednesday, Friday, and Saturday, 10 a.m.-5 p.m.; Thursday, 10 a.m.-9 p.m.; Monday closed. For more information, call (612) 870-3131 or visit www.artsmia.org.

Press Contacts: Anne-Marie Wagener, Director of Public Relations
(612) 870-3280; awagener@artsmia.org

Tammy Pleshek, Public Relations Specialist
(612) 870-3171; tpleshek@artsmia.org