Juline Chevalier

The paintings in “Eyewitness Views” were the Instagram of the 1700s. Here’s why that matters.

The paintings in “Eyewitness Views,” a major exhibition opening September 10 at Mia, were made more than 250 years ago in cities thousands of miles from Minneapolis. They are so-called “view paintings”—views of events that were important at the time they were painted but are generally no longer remembered: balloon flights, volcanic eruptions, royal visits. They are . . . Keep reading »

I live in the U.S., but I don’t call myself an American

One of my jobs at Mia is working with curators to make labels about art that are as accessible and inclusive as possible. To that end, I avoid using the term “American” as a synonym for someone who lives in the United States or is a U.S. citizen. Why? Because the United States of America is only . . . Keep reading »

Mia Stories

The museum beyond the walls, outside the frame, at the lively intersection of life and art. From behind-the-scenes buzz to inspiring connections with current events, it’s the museum in conversation.

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A special collection of Mia Stories containing our connection to a wide range of current topics including diversity, the right to creative expression, the spread of knowledge, and the need to preserve the planet and its cultural treasures for future generations.

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