Minneapolis Institute of Art

Art Inspires: Lisa Yankton on the transformative power of compassion

Lisa Yankton, a Minneapolis-based poet and member of the Spirit Lake Dakota, was inspired by Mia’s statue of Avalokiteshvara, or Guanyin in Chinese, a Buddhist deity associated with mercy and compassion. It is on display in the Buddhist sculpture court (gallery G200). Avalokitesvara, “One Who Hears the Cries of the World” Bodhisattva Avalokitesvara Guanshiyin Guanyin Goddess of . . . Keep reading »

The most intriguing figure in “Eyewitness Views” isn’t a king or a pope: it’s a singer

Among the scenes of royal pageantry and natural disaster in Mia’s colorful look at history painting in the 1700s, “Eyewitness Views: Making History in 18th-Century Europe,” is a wide, detailed view of the Spanish palace at Aranjuez, south of Madrid, in 1756. Red paper lanterns line the gardens and palace walls, and a fleet of pleasure barges . . . Keep reading »

Between two worlds: Revisiting the life and work of Minnesota master George Morrison

George Morrison was born in 1919 in the now-vanished town of Chippewa City near the Grand Portage Reservation, along Lake Superior in northeastern Minnesota. He was Ojibwe in an era before Native Americans could vote or were even granted citizenship in the United States, one of 12 children in an impoverished family. He was isolated from almost everything but his . . . Keep reading »

Mia’s newest crazy quilt recalls a grandmother’s love—and talent

Late in 2016, Mia was given a crazy quilt, the kind comprised of many tiny pieces, usually unrelated and unmatched. It was made around 1882. As the registrar at Mia in charge of processing new art acquisitions, examining every object being considered for addition to our collection, it was my job to look over every detail of the quilt. My thoughts . . . Keep reading »

Using Mia’s new Divining Rod to discover your next favorite artwork is easy—creating it was not

With its colored lights and uncanny vibrations, Mia’s Divining Rod appears to work the same way its ancient inspiration did in ostensibly helping people find fresh water—with a little magic. In fact, the winning proposal of the third annual 2016 3M Art and Technology Award has an internal logic, powered by the kind of like/dislike feedback we’ve become accustomed to . . . Keep reading »

“Eyewitness Views” and the long, strange history of documenting disaster

I was a cub reporter at the Minneapolis bureau of the Associated Press when historic flooding inundated the Red River Valley between Minnesota and North Dakota in the spring of 1997. It followed a historically cold winter in Minnesota, full of blizzards and record-low temperatures, that left a massive amount of snow still on the ground in April—when it . . . Keep reading »

Teens made a video inspired by the Propeller Group’s show at Mia—and it’s as cool as you’d expect

Last spring, the Propeller Group opened “Reincarnations” at Mia, a music video installation that abstractly captures the surreal, sensual, thumping nature of funeral traditions in Vietnam. This summer, a group of Twin Cities media students from the SPNN program toured the installation, then worked with local artist Xiaolu Wang to make their own video in response. It’s . . . Keep reading »

How the first major museum exhibition of contemporary Somali art came together at Mia

Mia recently opened “I am Somali,” the first major museum exhibition of work by contemporary Somali artists in the Midwest if not the United States. The title refers to one of Somalia’s best-known poems, Soomaali baan ahay, or I am Somali. Poetry, after all, has long been Somalia’s preferred medium for artistic expression—it is often called “the land of the bards.” . . . Keep reading »

Ifrah Mansour on Minnesotans’ micro-aggressions, adding humor to refugee stories, and Mia’s “I am Somali” show

Ifrah Mansour was born in Saudi Arabia, and by the time her family returned to their native Somalia a few years later it was too late. Civil war broke out, the government collapsed, and Mansour’s family—her parents, five siblings, and herself—soon left for a refugee camp in Dadaab, Kenya, one of the oldest and largest in the . . . Keep reading »

Funk Fest organizer LaDonna Sanders Redmond talks Prince, his legacy, and what to expect on Sunday

LaDonna Sanders Redmond was 13—”an impressionable girl,” she says—when she went into the record store in her Chicago neighborhood with a friend and saw a big poster of Prince. It was the late 1970s. Redmond was into Michael Jackson as well as David and Shaun Cassidy, some classic soul and R & B. But now there was Prince. . . . Keep reading »

Mia Stories

The museum beyond the walls, outside the frame, at the lively intersection of life and art. From behind-the-scenes buzz to inspiring connections with current events, it’s the museum in conversation.

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A special collection of Mia Stories containing our connection to a wide range of current topics including diversity, the right to creative expression, the spread of knowledge, and the need to preserve the planet and its cultural treasures for future generations.

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