The image shows a room with a bulletin board densely covered with a variety of images, photos, and magazine pages.
Tomoko Yoneda, Japanese, born 1965. Heisei era (1989–2019). Former residence of the daughter of Japanese Prime Minister, Kantaro Suzuki who accepted the Potsdam Declaration and full surrender to the Allied Powers ending the Second World War, Qingtian Street, II, 2010. Chromogenic print. The Linda and Lawrence Perlman Photography Endowment. 2024.54.1

Leslie Ureña

Leslie Ureña is associate curator of global contem­porary art at Mia. Since arriving at Mia in 2023, she’s organized numerous exhibitions, among them “María Berrío: Songlines” (2026, co-curated), “Take the Picture!” (2026), “Sopheap Pich: In the Presence of” (2025, co-curated), “Networks of Care” (2024), and “Another Look” (2023).

Before arriving at Mia, Ureña was curator of pho­tographs at the Smithsonian’s National Portrait Gallery, where she co-curated “Kinship” (2022–24), the 2022 Outwin Boochever Portrait Competition, and “IDENTIFY: Sonic Blossom” by Lee Mingwei (2018). She’s also worked in curatorial departments at the National Gallery of Art (Washington, D.C.), the Museum of Modern Art, New York, and the Dallas Museum of Art, among others; led the international team of TKG+, Taipei, Taiwan; and written extensively on the history of photography and contemporary art. Ureña holds a BA in the history of art from Yale University and an MA and a PhD in art history from Northwestern University.

Tomoko Yoneda, Japanese, born 1965. Heisei era (1989–2019). Former residence of the daughter of Japanese Prime Minister, Kantaro Suzuki who accepted the Potsdam Declaration and full surrender to the Allied Powers ending the Second World War, Qingtian Street, II, 2010. Chromogenic print. The Linda and Lawrence Perlman Photography Endowment. 2024.54.1