Fukuda Kodōjin (1865–1944) was one of a handful of scholar-artists who continued the tradition of Japanese literati painting (nanga) after 1900. Kodōjin’s painting style is characterized by bizarrely shaped mountain forms rendered in vivid color or monochromatic ink that often include a solitary scholar enjoying the expansive beauty of nature. Not only a painter, Kodōjin was also an accomplished poet and calligrapher patronized by influential industrialists and politicians of the era. Following his death, he slipped into obscurity, and today is better appreciated outside his native Japan. This is the first-ever exhibition of Kodōjin outside Japan, accompanied by a 344-page catalogue.