Albrecht Dürer, Samson Rending the Lion [detail], c. 1497-98, woodcut, The Barbara S. Longfellow Endowed Acquisition Fund and the John E. and Marion Andrus III Fund in Support of the Department of Prints and Drawings 2022.35.2

German Prints in the Later 1400s

German Prints in the Later 1400s

October 22, 2022 - May 14, 2023
Winton Jones Gallery (G344)
Free Exhibition

The origins of printmaking are obscure, but two principal types flourished in the 1400s: woodcuts (printed from the surfaces of wooden blocks carved in relief) and engravings (printed from the recesses of grooves cut into copper plates). The names of many early practitioners are unknown, but a few masters became leaders in the field. Israhel van Meckenem (c. 1445-1503) was the first identifiable professional engraver. Martin Schongauer (c. 1440/53–1491) was the first great artist to make engravings. The 1490s brought a crescendo with the youthful Albrecht Dürer (1471–1528), whose breathtaking skill and spectacular imagination fully established printmaking as a high art.

Albrecht Dürer, Samson Rending the Lion [detail], c. 1497-98, woodcut, The Barbara S. Longfellow Endowed Acquisition Fund and the John E. and Marion Andrus III Fund in Support of the Department of Prints and Drawings 2022.35.2