On the left is a carved jade vase with intricate designs, including floral patterns and figures in relief, standing on a wooden base. On the right is a colorful painting depicting a lively battle scene.
Left: China, 18th century. Vase, White camphor jadeite. Gift of Mr. Augustus L. Searle. 37.56a, b. Right: Siege of Lanka, Illustration from a Ramayana Series India, 1595–1605. Opaque watercolor and gold on paper. The Jane and James Emison Endowment for South Asian and Indian Art and the Helen Jones Fund for Asian Art. 2010.6.2

Layered Splendor: Mughal Art Across India and Qing China

Layered Splendor: Mughal Art Across India and Qing China

December 19, 2026 - November 28, 2027
Gallery 212
Free Exhibition

This exhibition brings together Mughal-period paintings and luxury objects from India alongside Mughal-inspired jades created during the Qianlong reign of China’s Qing dynasty (18th century), revealing a rich artistic dialogue across Asia. Drawn from Mia’s collection, these works reflect shared imperial interests in precious materials, exceptional craftsmanship, and cosmopolitan aesthetics.

Mughal artists integrated painting, calligraphy, gold illumination, and intricate ornamentation, drawing on Persian, Central Asian, and Indian artistic traditions. In turn, Qianlong-period jades inspired by Mughal forms demonstrate how these artistic languages traveled, were reinterpreted, and acquired new meanings at the Qing court. Together, these works illuminate the movement of ideas, materials, and techniques across cultures, highlighting the interconnected artistic traditions of early modern Asia.

Left: China, 18th century. Vase, White camphor jadeite. Gift of Mr. Augustus L. Searle. 37.56a, b. Right: Siege of Lanka, Illustration from a Ramayana Series India, 1595–1605. Opaque watercolor and gold on paper. The Jane and James Emison Endowment for South Asian and Indian Art and the Helen Jones Fund for Asian Art. 2010.6.2