The illustration shows a stylized figure standing on a hill, holding a staff. Next to the person is a small dog. The hill is covered with curved, dotted lines creating a stippled pattern. To the left, a cluster of sheep is also depicted using similar lines. In the upper background, a sun with radiating lines is visible. The entire image is monochromatic, with shades of beige and light brown.
Minami Keiko, Japanese, 1911–2004, Shōwa era (1926–1989). La petite bergère (young shepherdess), 1957. Etching with aquatint; ink and color on paper. Gift of Sue Y.S. Kimm and Seymour Grufferman. 2019.78.460

Meruhen: Japanese Prints of Fairy Tales

Meruhen: Japanese Prints of Fairy Tales

May 9, 2026 - March 7, 2027
Mary Griggs Burke Gallery of Japanese Art (226, 227)
Free

Meruhen, the Japanese word for fairy tales, originated from the German word Märchen, coined in the 15th century. The word meruhen first appeared in the early 20th century among Japanese writers interested in European romanticism and children’s literature. It soon became mainstream, and fairy tales, not only of German origin, remain popular today.

Several print artists like Kawano Kaoru (1916–1965) and Minami Keiko (1911–2004) presented fairy tale settings in their work, depicting young girls in innocent, dream-like scenarios, interacting with birds or other animals. This exhibition showcases their work along with prints by Kanamori Yoshio (1922–2016), Hori Hikaru (1952–2019), and Suzuki Atsuko (born 1968).

Minami Keiko, Japanese, 1911–2004, Shōwa era (1926–1989). La petite bergère (young shepherdess), 1957. Etching with aquatint; ink and color on paper. Gift of Sue Y.S. Kimm and Seymour Grufferman. 2019.78.460