Students on an “empathy tour” at Mia. Major support for the Center for Empathy and the Visual Arts at Mia provided by The Andrew W. Mellon Foundation. Generous support provided by Nivin MacMillan, Kaywin Feldman and Jim Lutz, Hubert Joly, John and Nancy Lindahl, Marianne Short and Raymond Skowyra, Jr., Richard and Jennie Carlson, Ken and Linda Cutler, Alfred and Ingrid Lenz Harrison, Leni and David Moore, Jr., Sheila Morgan, John and Carol Prince, Joan and John Rex, and donors to the 2018 Mia Gala.
Students on an “empathy tour” at Mia. Major support for the Center for Empathy and the Visual Arts at Mia provided by The Andrew W. Mellon Foundation. Generous support provided by Nivin MacMillan, Kaywin Feldman and Jim Lutz, Hubert Joly, John and Nancy Lindahl, Marianne Short and Raymond Skowyra, Jr., Richard and Jennie Carlson, Ken and Linda Cutler, Alfred and Ingrid Lenz Harrison, Leni and David Moore, Jr., Sheila Morgan, John and Carol Prince, Joan and John Rex, and donors to the 2018 Mia Gala.

Art is Perspective

This summer, Mia held its first “empathy tours.” Designed by
the museum’s Center for Empathy and the Visual Arts (CEVA), the tours may seem like any other school visit: students pass from one gallery to the next, study artworks, and discuss them. But there are key differences.

“How do you think she’s feeling?” a guide asks a group of fifth-graders contemplating the museum’s beloved Nigerian sculpture of a woman’s head. “She looks disappointed,” one student responds. “She looks chill,” another offers.

On empathy tours, visitors are encouraged to share their own stories and seek their own meaning in the art. To enable this, the tours are longer than average and the itinerary is flexible. Adult empathy tours have begun as well. But it’s not just visitors who have benefited.

This spring, the center convened artists, scholars, and museum staff from Mia and elsewhere for an Empathy Lab—three days of exploring new ways to bring empathy into museums. One result: labels for films in the exhibition “Mapping Black Identities” quote the artists. Behind every work of art, after all, is the artist’s experience— sometimes lost in the desire to explain or interpret.

“How do we activate a space of empathy through these personal connections?” asks Jeanine Pollard, CEVA’s Research and Project Manager. “That’s the question we need to address so that all visitors—not only those whose identity is reflected in an artwork— feel welcome.”

Past Stories

Art is Perspective 2018

Andrea Pierre and her young daughters had a touchstone at Mia, a small doll of an African-American maid who sparked conversations about race and history and opportunity. And then they didn’t.

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