Learning from Looking

Self-guided
group activity

Grades 4-12 Gallery 250

Many of these questions are designed to prompt close looking and critical thinking. Read each artwork’s label to find answers to fact-based questions. Artwork not on view? Don’t worry: There are plenty of others to visit! or take a closer look on Mia’s Collections site!

Featured Works

India, Shiva Nataraja, Gallery 211

Shiva Nataraja (Lord of the Dance), c. 1100, unknown artist, India, bronze, on view starting fall 2020 in Gallery 211 or explore online within Mia’s Collections Site

Question Prompts

  • • What do you see that tells you Shiva is not human?
  • • What do you see that tells you Shiva has super powers?
  • • What can you find out about these powers from the label?
Djenne, Mali, Equestrian figure, Gallery 250

Equestrian figure, about 1450, unknown artist, Djenne culture, wood, on view in Gallery 250 or explore online within Mia’s Collections Site

Question Prompts

  • • What about this horse and rider shows they are powerful?
  • • How do historians know this is authentic?
  • • What do you suppose the artist needed to think about before beginning to carve this sculpture from a single piece of wood?
Benin, Nigeria, Tusk, Gallery 250

Tusk, 1775-77, unknown artist, Edo-Benin culture, Nigeria, ivory, on view in Gallery 250 or explore online within Mia’s Collections Site

Question Prompts

  • • Who are the most important people on this carved tusk? How can you tell?
  • • What kinds of animals do you see?
  • • What purpose does the tusk serve?
  • • Find the Portuguese soldier. How did the artist show he was a foreigner?
Nayarit, Mexico, House Group, Gallery 260

House group, c. 100-400, unknown artist, Nayarit culture, clay, pigments, on view in Gallery 260 or explore online within Mia’s Collections Site

Question Prompts

  • • Look at this sculpture from all sides. What activities do you see taking place?
  • • What do you see to support your ideas?
  • • Based on this sculpture, what do you think the Nayarit people valued most?
  • • Why do you suppose the artist showed some people on the upper level and others down below?
George Bellows, Mrs. T. in Cream Silk, No. 2, Gallery 302

Mrs. T. in Cream Silk, No. 2, 1920, George Bellows, oil on canvas. on view in Gallery 302 or explore online within Mia’s Collections Site

Question Prompts

  • • What surprises you most about this painting?
  • • What are some possible reasons as to why this woman is dressed up?
  • • What does this painting tell you about Mrs. T?
  • • What do you see that makes you say that?
James B. Read, Portrait of a Boy, Gallery 304

Portrait of a Boy, 1856, attributed to James B. Read, oil on canvas, on view in Gallery 304 or explore online within Mia’s Collections Site

Question Prompts

  • • What words would you use to describe this boy?
  • • How do you think he feels?
  • • What do you see that makes you say that?
  • • The painting is filled with symbols. Read the label to find out what some of them are.
Vincenzo Coaci, The Coaci Inkstand, Gallery 310

The Coaci Inkstand, 1792, Vincenzo Coaci, silver, silver gilt, lapis lazuli, and rosso antico marble, on view in Gallery 310 or explore online within Mia’s Collections Site

Question Prompts

  • • Look closely. Describe what you see.
  • • What do you think the purpose of this object is?
  • • What evidence do you have to support your theory?
  • • What parts do you think are moveable?
Benjamin West, Destruction of the Beast and the False Prophet, Gallery 321

Destruction of the Beast and the False Prophet, 1804, Benjamin West, oil on panel, on view in Gallery 321 or explore online within Mia’s Collections Site

Question Prompts

  • • What is going on in this painting?
  • • What do you see that makes you say that?
  • • What do you wonder about this painting?
  • • Which title do you think best represents this painting: Destruction of the Beast and the False Prophet or The Messiah on a White Horse? Why?
John Frederick Peto, Reminiscences of 1865, Gallery 322

Reminiscences of 1865, 1904, John Frederick Peto, oil on canvas, on view in Gallery 322 or explore online within Mia’s Collections Site

Question Prompts

  • Look closely.
  • • What story is the artist trying to tell you?
  • • What images did the artist include that makes you say that?
  • • What did the artist do to make the objects shown in this painting look old?
England, Puzzle Jug

Puzzle jug, c. 1750, unknown artist, England, tin-glazed earthenware, explore online within Mia’s Collections Site

Question Prompts

  • Look closely at this jug.
  • • What prevents liquid from spilling out of the holes?
  • • Why do you think the artist did that?
  • • Do you think this is useful as an everyday object?
  • • Why or why not?
Honoré Daumier, The Fugitives, Gallery 354

The Fugitives, c. 1868, Honoré Daumier, oil on canvas, on view in Gallery 354 or explore online within Mia’s Collections Site

Question Prompts

  • Look closely at the painting.
  • • Why do you suppose everyone is running?
  • • Do you think they are running away from something or toward something?
  • • What do you see that makes you say that?
  • • How does the artist show the refugees’ emotions?
Raffaelo Monti, Veiled Lady, Gallery 357

Veiled Lady, c. 1860, Raffaelo Monti, marble, on view in Gallery 357 or explore online within Mia’s Collections Site

Question Prompts

  • • At first glance, what does this sculpture look like it’s made of?
  • • What do you see that makes you say that?
  • • What type of emotion do you think this woman is expressing?
  • • How would you describe this sculpture to a friend?
James Ensor, The Intrigue, Gallery 371

The Intrigue, 1911, James Ensor, oil on canvas, on view in Gallery 371 or explore online within Mia’s Collections Site

Question Prompts

  • • What appears to be going on here?
  • • What do you see that makes you think that?
  • • How would you describe the mood of the painting?
  • • What are some reasons people might wear masks?
  • • When have you worn a mask?
Chuck Close, Frank

Frank, 1969, Chuck Close, acrylic on canvas, explore online within Mia’s Collections Site

Question Prompts

  • Look closely.
  • • What about this artwork reminds you of a photograph? What reminds you of a painting?
  • • How does the size of this artwork make you feel? Why?
  • • What can you learn about Frank by looking at the view reflected in his glasses?
Yves Tanguy, Through Birds, Through Fire but Not Through Glass, Gallery 376

Through Birds, Through Fire but Not Through Glass, 1943, Yves Tanguy, oil on canvas, on view in Gallery 376 or explore online within Mia’s Collections Site

Question Prompts

  • • How does this painting make you feel? Why?
  • • What are some possible stories you could tell based on this painting?
  • • Imagine you could enter this painting. What would you do in there?
  • • What could you hear? Smell?