‘Must See’ Artworks at Mia

Self-guided
group activity

Grades 4-12

Land of 10,000 Looks

Plan on spending time with 8–10 artworks.

Many of these questions are designed to prompt close looking and critical thinking. Read each artwork’s label to find answers to fact-based questions. Artwork not on view? Don’t worry: There are plenty of others to visit! artsmia.org before your visit. You can explore more works within Mia’s Collections site!

Featured Works

China, Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavillion, Gallery 210

Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790, unknown artist, China, Light green jade, on view in Gallery 210 or explore online within Mia’s Collections Site

Question Prompts

  • This jade sculpture tells a story.
  • • What appears to be going on?
  • • What do you see that makes you say that?
  • • What are some of your favorite details from the story?
Monks of the Gyuto Tantric University, Yamantaka Mandala, Gallery 277

Yamantaka Mandala, 1991, monks of the Gyuto Tantric University, colored silicate and adhesive on wood, on view in Gallery 277 or explore online within Mia’s Collections Site

Question Prompts

  • Look closely. There’s a lot to see.
  • • What first catches your attention? Why?
  • • What appears to be going on? What do you see that makes you think that?
  • • Mandalas are usually made with colored sand. What material did the monks use to make this one?
Japan, Suit of Armor from the Kii Tokugawa Family, Gallery 219

Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century, suit by unknown artist, Japan; helmet by Saotome Iechika, iron, leather, lacquer, silk, wood, gold leaf and powder, bear fur, on view in Gallery 219 or explore online within Mia’s Collections Site

Question Prompts

  • • What’s your first reaction to this suit of armor?
  • • Look closely at its craftsmanship: notice how hundreds of lacquered metal and leather plates are laced together with cords.
  • • Why might it have been made in this way?
  • • What aspects communicate the power of its wearer?
Roman, The Doryphoros

The Doryphoros, 120–50 BCE, unknown artist, Italy, Pentelic marble. Explore online within Mia’s Collections Site

Question Prompts

  • • What do this man’s physical characteristics tell you about him? Look at both his head and body.
  • • What artistic detail impresses you the most? Why?
  • • What do you wonder about The Doryphoros?
Ancient Egyptian, Cartonnage of Lady Tashat, Gallery 250

Cartonnage of Lady Tashat, 945-712 BCE, unknown artist, Ancient Egyptian, painted and varnished linen, on view in Gallery 250 or explore online within Mia’s Collections Site

Question Prompts

  • • What does this artwork tell you about ancient Egyptian life? What does it tell you about ancient Egyptian art?
  • • What hieroglyphs, if any, do you recognize?
  • • What are some of the other pictures you see?/li>
  • • What do they tell you about Lady Tashat?
Yoruba culture, Nigeria, Shrine Head, Gallery 250

Shrine head, 12th-14th century, unknown artist, Ancient Yoruba culture, Nigeria, terra cotta, on view in Gallery 250 or explore online within Mia’s Collections Site

Question Prompts

  • Look closely at this sculpture from all angles.
  • • What do you like most about this sculpture?
  • • What do you wonder about?
  • • Would you like to have your portrait made as a sculpture or as a painting? Why?/li>
Innu (Naskapi), Hunting coat

Hunting coat, c. 1750, unknown artist, Innu (Naskapi) culture, caribou hide, pigment. Explore online within Mia’s Collections Site

Question Prompts

  • • How did the artist who painted this coat for her husband make it special?
  • • What words could you use to describe the painted designs? The tailoring?
  • • Look around the gallery. Which do you prefer: painted objects or beaded objects? Why?
Chuck Close, Frank

Frank, 1969, Chuck Close, acrylic on canvas. Explore online within Mia’s Collections Site

Question Prompts

  • Look closely.
  • • What reflection do you see in Frank’s glasses?
  • • What about this artwork reminds you of a photograph? What reminds you of a painting?
  • • How does the size of this artwork influence how you feel about it?
Do-Ho Suh, Some/One

Some/One, 2005, Do Ho Suh, stainless steel, military dog tags, fiberglass resin. Explore online within Mia’s Collections Site

Question Prompts

  • • How would you describe this sculpture to a friend?
  • • Look closely at the metal dog tags. What do you notice about them?
  • • How does the title Some/One influence the way you think about the sculpture?
Pablo Picasso, Baboon and Young, Gallery 376

Baboon and Young, 1951, Pablo Picasso, bronze, on view in Gallery 376 or explore online within Mia’s Collections Site

Question Prompts

  • • What everyday objects do you see in this sculpture?
  • • If you were to make a sculpture with objects in your home or school, what would you use?
  • • Why do you suppose Picasso chose these objects? What does the sculpture tell you about him?
Hans Ledwinka, Tatra T87 four-door sedan, Gallery 379

Tatra T87 four-door sedan, 1948 (designed 1936) Hans Ledwinka; Manufacturer: Ringhoffer-Tatra-Werke AG, all-metal construction. On view in Gallery 379 or explore online withinMia’s Collections Site

Question Prompts

  • • Why do you suppose this car is in the galleries?
  • • What about it would you consider artistic?
  • • What car do you think you’ll see in a museum 75 years from now?
Claude Monet, Grainstack, Sun in the Mist, Gallery 355

Grainstack, Sun in the Mist, 1891, Claude Monet, oil on canvas, on view in Gallery 355 or explore online within Mia’s Collections Site

Question Prompts

  • • Describe the range of color you see.
  • • Some people think this is a realistic painting; others find it more decorative. What do you think? Why?
  • • What events do you think led up to this moment?
  • • What season do you think this depicts? Why?
  • • What do you wonder about?
Vincent van Gogh, Olive Trees, Gallery 355

Olive Trees, 1889, Vincent van Gogh, oil on canvas, on view in Gallery 355 or explore online within Mia’s Collections Site

Question Prompts

  • Following Impressionism
  • • Describe this painting. What do you notice first?
  • • How has the artist expressed his feelings about nature? How would you describe those feelings?
  • • How does this compare to Monet’s Grainstack painting?
  • • Which do you prefer? Why?
Raffaelo Monti, Veiled Lady, Gallery 357
Veiled Lady, c. 1860, Raffaelo Monti, marble, on view in Gallery 357 or explore online within Mia’s Collections Site

Question Prompts

  • • At first glance, what does this look like it’s made of?
  • • What do you see that makes you say that?
  • • What type of emotion do you think this woman is expressing?
  • • How would you describe this sculpture to a friend?
William Howard, Writing desk

Writing desk, c. 1870, Attributed to William Howard, yellow pine, tobacco box and cotton crate wood. Explore online within Mia’s Collections Site

Question Prompts

  • • Look closely at the surface of this desk. What shapes do you recognize?
  • • Which ones do you wonder about?
  • • Some of these objects likely symbolized crafts and trades familiar to the artist. Which crafts or trades do you think they represent? Why?