abstract painting of a snowy landscape with a slightly cleared roadway and bare trees on the edge — Blanche Hoschedé-Monet, French, 1865–1947. Snow Country Road, Le Val near Giverny, 1888. Oil on canvas. Gifts of funds from Mary Reyelts, Mary O. Olson, Anne Pantelich and Doug Hepper, Terry and Sheldon Fleck, Martha Head, Elizabeth Short and R. Kirkland Cozine, Ellen Archibald, Elizabeth and Michael Gorman, and an anonymous donor. 2025.37

Curator Talk: Women Impressionists and the Land

Join us as we celebrate the opening of “Women Impressionists and the Land.” Hear from Simon Kelly, curator of modern and contemporary art at the St. Louis Art Museum, who’ll discuss highlights from the exhibition. This is the first exhibition to focus on landscapes as a distinct body of work essential for understanding the women of the Impressionism movement. Rather than focusing on domestic scenes, this exhibition features the less documented outdoor spaces painted by Berthe Morisot, Mary Cassatt, and others, revealing how nature became a site of artistic innovation, identity, and quiet resistance.

Free tickets available February 5, 2027.

_{Blanche Hoschedé-Monet, French, 1865–1947. Snow Country Road, Le Val near Giverny, 1888. Oil on canvas. Gifts of funds from Mary Reyelts, Mary O. Olson, Anne Pantelich and Doug Hepper, Terry and Sheldon Fleck, Martha Head, Elizabeth Short and R. Kirkland Cozine, Ellen Archibald, Elizabeth and Michael Gorman, and an anonymous donor. 2025.37}