Painting of group of people gathered indoors, seated on chairs arranged in a circle. In the foreground, a person in a blue dress with intricate patterns and a fur collar lies back on an armchair, eyes open. To the left, a person bends over a container, preparing something. Several other individuals sit closely together, some holding papers and others interacting or playing games.
© María Berrío. Courtesy the artist, Hauser & Wirth and Victoria Miro. Photography by Bruce M. White

María Berrío: Songlines

María Berrío: Songlines

September 12, 2026 - January 10, 2027
Galleries 275 and 276
Free Exhibition

In “María Berrío: Songlines,” the Colombian artist builds monumental scenes by layering hand-cut Japanese paper onto canvas—constructing images mostly piece by piece with rare areas of painting. Figures and forms emerge through this meticulous process, creating dense compositions that shift between precision and abstraction. Bringing together artworks from the past decade, the exhibition traces how Berrío draws on literature, music, and global histories to create symbolic, open-ended narratives.

“María Berrío: Songlines” is organized by the Minneapolis Institute of Art and San José Museum of Art.

Following its presentation in Minneapolis, the exhibition will travel to the San José Museum of Art, where it will be on view February 12–July 12, 2027. It will then be on view at the Wichita Art Museum August 14, 2027–January 2, 2028.

Generous support for the national exhibition tour provided by Hauser & Wirth and Victoria Miro. Mia’s presentation made possible with kind support from iArtis Foundation and Maria G Bales.

Resource

Exhibition Catalogue

This catalogue was published on the occasion of María Berrío’s nationally touring exhibition and includes texts by Berrío, Katherine Brodbeck, co-curators Lauren Schell Dickens and Leslie Ureña, and an interview with the artist by Valéria Piccoli, alongside copious illustrations and details of Berrio’s spellbinding work.

© María Berrío. Courtesy the artist, Hauser & Wirth and Victoria Miro. Photography by Bruce M. White