The Object Podcast
Exploring the surprising, true stories behind museum objects. Produced by the Minneapolis Institute of Art and hosted by Tim Gihring, the series offers an object’s view of us—our ambitions, our creativity, our humanity. Touching on race, class, immigration, gender, and other issues that continue to shape the world today, it’s the museum as you’ve never heard it before. Season three is underway on Apple Podcasts, Google Podcasts, Stitcher, and wherever podcasts are available. New episodes added every month.
The Secrets of the Veiled Lady
They are illusions, no more real than someone being sawed in half onstage. Yet the veiled ladies that Raffaelle Monti sculpts in the 1800s are very real to him. Poignant symbols of an identity he’s forced to conceal, even as they make him famous. To launch Season 3, it’s a story of pride and prejudice and dreams just out of reach.
Here you can see Monti’s Veiled Lady, c. 1860, in the collection of the Minneapolis Institute of Art.
The Miracle of Saint Frida
When Frida Kahlo dies, in 1954, she is soon forgotten. And then, suddenly, she seems to be everywhere: on magnets, puzzles, underwear, flip-flops. How did this remarkable artist become an international icon, an emoji, a figure of fervid devotion? And what does she mean to those who believe?
You can see Yasumasa Morimura’s “An Inner Dialogue with Frida Kahlo,” mentioned in the show, in the collection of the Minneapolis Institute of Art here.
Have you heard Frida Kahlo talk? Neither has anyone else–not since she died, in 1954. Unless it turns out that this is actually her, on a recording surfaced a couple years ago by the National Sound Library of Mexico.
The Psychic Sculptor
In 1852, Harriet Hosmer packs her pistol, her anatomy degree, and two pictures of a sculpture she made and moves to Rome. There, among other “emancipated women” in the expat colony, she becomes one of the world’s most famous artists. But it’s the spirit world that truly calls to her, the realm of the dead that she channels through clairvoyance and seances. So what happens when she answers?
You can see her remarkably tender sculpture of Medusa, referenced in this episode here.
Learn more about “Supernatural America,” the exhibition organized by the Minneapolis Institute of Art and featuring Hosmer’s Medusa, opening June 2021 at the Toledo Museum of Art here.
Bonus episode: Love Among the Ruins
When Amedeo Modigliani moves to Paris, in the early 1900s, he soon meets a very talented (and very married) Russian poet. What happens when art and love come together, as the rest of the world is falling apart?
You can see one of Modigliani’s iconic Head sculptures here.
(Spoiler alert) You can see a close-up of the secret fossil discussed on the show here.
Read the transcript.
Bonus episode: A New Year's to Remember
As the page finally turns on 2020, enjoy this bonus episode on the New Year’s illustrations made by Winslow Homer for Harper’s Weekly magazine in 1869. At a moment surprisingly similar to our own, the American artist captured something of the feeling then, even as his life–and art history–was about to change forever.
You can see the illustrations in the collection of the Minneapolis Institute of Art here.
Read the transcript.
Monsters and Marvels, Part III: The Mermaid's Tale
Mermaids had been surfacing in art for thousands of years when, in the 1880s, Edward Burne-Jones began painting them as avatars of a radical new female identity in the corseted Victorian era. A story of desire and danger as legendary as the creatures themselves.
You can see one of Burne-Jones’ early mermaid paintings, A Sea-Nymph, at the Minneapolis Institute of Art. His best-known mermaid work, The Depths of the Sea, is at the Fogg Museum at Harvard University.
Read the transcript.
Miracles in Stone: The Curious Celebrity of God's Sculptor
William Edmondson is a middle-aged laborer in Nashville, Tennessee, at the height of the Great Depression, when God tells him to carve a tombstone. Soon, he’s the first African-American artist to have a solo show at the Museum of Modern Art. But his short-lived celebrity reveals the art world’s problematic relationship with race.
Young, Gifted, and Gone: The Woman Who Never Came Back
A tale of resilience, romance, and solidarity: The new episode of Mia’s hit podcast “The Object” marks Women’s History Month with the story of Elizabeth Catlett. The granddaughter of enslaved African-Americans is a struggling artist at the height of Jim Crow. But when she leaves for Mexico City in 1946, she finds love, inspiration, and eventually fame. There’s just one catch: she can’t come home.
Spirited Away: The Incredible Ghosts of Yoshitoshi
If you’re an anime enthusiast, a fan of old Japan, or just into beguiling beauty wherever you find it, you’re going to love the latest episode of Mia’s hit podcast, The Object, exploring the life and times of Yoshitoshi, the last great artist of Japan’s Floating World. A fascinating show of his work was on view at Mia until we closed temporarily. Now you can see and read about it online. Then listen to the podcast, as we take you back to the end of the Floating World, that semi-invented era of sex and style, when Japan opened to the West and the ghosts conjured by Yoshitoshi became symbols of a culture on its way out.
Bohemian Rhapsody: The Myth of the Starving Artist
Long before Vincent van Gogh died young, poor, and under-appreciated, artists had gotten the message: you have to suffer for your art. But where did this template of the starving artist come from? And is there any truth to it or is it a myth, a romantic misreading of how great art is made?
Here’s Vincent van Gogh’s Olive Trees, from 1889, a year before his death, when he was in treatment in St-Rémy in southern France.
Unspeakable Love: The Rebel Who Went Too Far
Simeon Solomon is a young gay art star in the Victorian era. But when scandal threatens his career, offering a cautionary tale to aesthetes like Oscar Wilde, he must choose between his livelihood and his identity.
Incredibly, Mia has two works by Solomon in its collection, acquired in the 1960s when Solomon had been all but erased from art history. Click here to see them.
Read the transcript.
Romancing the Stone: The Secret of the Chac Mool
A mysterious stone sculpture, supposedly found in Mexico, is hailed as a Chac Mool, the iconic Mayan vessel of human sacrifice. It tours Europe as a masterpiece of ancient Mesoamerican art. It’s featured in magazines and books. But a surprising discovery suddenly begs the question: What is it really?
See Mia’s Chac Mool for yourself here.
The Animalier: Rosa Bonheur's Wild Kingdom
The animaliers love lions and tigers and bears — anything with teeth and no business being in Paris in the 1800s. No one more than Rosa Bonheur, the smoking, joking, pants-wearing painter who becomes a celebrity, the most famous female artist of her time, by embracing men’s primal fears.
You can see one of her lion prints here.
And her painter’s palette, charmingly adorned with a deer, here.
Read the transcript.
Monsters and Marvels Part I: The Magic Shell
From narwhals to nautilus shells, dragon eggs to mermaid hands, the obsession with oddities in the Age of Discovery may seem, well, odd. But did the study of outliers, in the early version of museums, help make us the rational creatures we are today?
Monsters and Marvels Part II: Finding Unicorns
Artists have captured unicorns for thousands of years, and for most of that time people thought they were both magical and real. What can an imaginary creature tell us about ourselves? What did we lose when we stopped believing? And why do we still love them anyway?
You can see unicorns in art through the ages in the collection of the Minneapolis Institute of Art, including this tapestry from the late Middle Ages.
Thanks to Natalie Lawrence and Marguerite Ragnow for sharing their expertise on this episode.
Read the transcript.
The Case of the Missing Rembrandt
In 1666, Rembrandt painted a masterpiece that disappeared almost as soon as he finished it. Where it went, and what it meant to its various owners, is as fascinating as the question it begs: how can people be so tender and also so cruel?
The Truth About "White" Classical Art
He was the ideal man. Handsome, strapping, with unreal proportions. But ancient statues like the Doryphoros originally looked much different, a revelation that is slowly upending long-held assumptions about race and art in the classical world. And not a moment too soon to confront the dangerous claims of white supremacists. You can read more about the Doryphoros statue here. And read more here about the scholars cited in this episode, who are confronting the abuse of antiquity by hate groups: bit.ly/2YRG5GZ
Flying Too Close to the Sun
Kehinde Wiley, long before he painted President Obama’s official portrait, went to Brazil. There, he was inspired by a monument to the great aviator Alberto Santos-Dumont, whose incredible, tragic life is as forgotten in the United States as it is celebrated almost everywhere else. He created the mesmerizing painting Santos Dumont – The Father of Aviation II, now in Mia’s collection, based a curiously anguished aspect of the monument.
The Car That Killed Nazis
How to Stop an Assassin
Long ago, when everyone but your dog was a potential assassin, you needed to protect yourself by any means necessary. Starting with poison-proof silverware. A surprising story of art, myth, and the dangerous world that was. You can read more about the coral-topped silverware in Mia’s collection.
X-ray Man and the Great Mummy Mystery
An assistant curator decides to x-ray a 3,000-year-old mummy case, to learn if anything’s in there, and sees more than he bargained for. The international mystery would change his life — and the fate of the mummy.
The Indian Artist Who Wasn't
When the frontier closed, the fate of Native Americans seemed sealed. But George Morrison, born into poverty near a reservation on Lake Superior, was as determined to be an artist as he was to avoid stereotypes.
The Woman Who Knew Everything
Miriam McHugh Taney was well-educated, well-traveled, and well-known among museum-goers, lecturing on everything from the Italian Renaissance to American furniture—a rare authority for a woman in the 1930s. But the real purpose of her popular museum talks was even more interesting.
The Fellowship of Good Things
There were wolves and caribou on the Minnesota frontier when John Scott Bradstreet arrived with his white suits and Far East fantasies of furniture, determined to elevate this outpost with fine interior design. A globalist mission on a collision course with history.
After founding General Mills, the food and flour giant, James Ford Bell turned to preserving the America he knew and loved. A vision that was fast disappearing in the stampede of mass immigration — and may never have existed at all.
She was wealthy, single, and always in the right place at the right time. But when Lily Place was in Egypt during the discovery of King Tut’s tomb, her art collecting suddenly put her at the epicenter of a curious and powerful trend that was about to shape world history one last time. You can see the objects from Lily still in Mia’s collection here.