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Fresh perspectives on art, life, and current events. From deep dives to quick takes to insightful interviews, it’s the museum in conversation. Beyond the walls. Outside the frame. Around the world.
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Mia collaborator Ann Hamilton is honored at the White House. A look back at her work in Minneapolis.
Hers was not the most familiar name on the guest list (that would be Stephen King or Sally Field or even Meredith Monk). But when Ann Hamilton received the National Medal of Arts from President Obama at the White House on Thursday, no one who knows her work would have been surprised. In her four-decade career as ...
Once at Mia: The laidback lecturer
They called them rap sessions. Free-form conversations. Just you and me, man. No shoes, no problem. This was the late 1960s or early 1970s, in the Print Study room of the museum. And Barbara Kaerwer, coordinator of Mia’s Student Volunteer program, appears perfectly comfortable meeting the teens where they’re at, tucked sideways in a chair, ...
Once at Mia: The professor and the owl
He holds the bronze owl in a curiously darkened room, posing for a newspaper photographer as though the incredible bird has just hatched before the flash bulbs. Umehara Sueji was a professor of archaeology and a historian of Far East cultures at the University of Kyoto when he came to Mia in January 1954 to ...
A fair to remember: Classic images of the Minnesota State Fair from Mia's collection
You know all the superlatives about the Minnesota State Fair, or you should: Highest attendance outside of the Texas state fair, which is far longer; held every year since 1859, a year after statehood (except on five occasions, due to various wars, epidemics, etc.); a corn dog you could wear as a belt. I hated it. ...
A fair to remember: Classic images of the Minnesota State Fair from Mia’s collection
You know all the superlatives about the Minnesota State Fair, or you should: Highest attendance outside of the Texas state fair, which is far longer; held every year since 1859, a year after statehood (except on five occasions, due to various wars, epidemics, etc.); a corn dog you could wear as a belt. I hated it. ...
Finding Stories in the Ordinary: Shana Kaplow’s “Near and Far”
Ink paintings of common household furniture overtake one of the Minnesota Artists Exhibition Program gallery walls at the Minneapolis Institute of Art. The ghostly remains of ordinary tables and chairs entice me to take a closer look. As I imagine sitting in those chairs and dining at those tables, this alluring overture gives way to ...
Once at Mia: Collection in Focus
In 1998, Mia hosted a special exhibition of paintings by Jacob Lawrence and his wife, Gwendolyn Knight. Diane Levy, who supervised the museum’s tours at the time, and Josie Johnson, a trustee, saw an opportunity. It had been clear for several years that the long and demanding process of becoming a docent, to lead tours ...
Once at Mia: The educators
They were poets, artists, and teachers and would go on to become architects, arts administrators, and management consultants. But at this moment, in the early 1970s, they were educators, charged with illuminating the mysteries of fine art. It’s a tradition of talks, classes, and school visits that has been around as long as Mia itself. The first bridge between ...
A museum by any other name: The many monikers of Mia
Since the museum announced last week that it would now be known as the Minneapolis Institute of Art (singular), Mia for short, some people have sworn they will continue to call it the MIA. Or the Institute. Or some variation thereof. Some said they’d been calling it Mia all along. A name, in other words, ...
Once at Mia: What's in a name?
This week, the museum announced a refreshing of its name—two names, actually: Mia (pronounced Mee-ah), replacing the acronym MIA, and the Minneapolis Institute of Art, instead of Arts. These may seem like small changes to reflect contemporary language, but in deeper ways they reconnect the museum with its 100-year-old roots. The founders believed that museums ...