Digital and Print Publications
Mia is proud to showcase the digital and print publications that are produced across a variety of museum divisions. This list features work by current and former staff produced during their tenure at Mia.
2023
Art History and Museology
Banks, Coco. “Ancient Bronzes from China.” Asian Art Newspaper, February 24, 2023. https://asianartnewspaper.com/chinese-ancient-bronzes/.
Cozzolino, Robert. “In Her Light,” in A Tender Spirit, A Vital Form: Arlene Burke-Morgan and Clarence Morgan. Howard Oransky, ed. Minneapolis: University of Minnesota Press, 2023.
Cozzolino, Robert. ““This is Still Happening”: Jim Denomie and Standing Rock,” in The Lyrical Artwork of Jim Denomie. Nicole Soukup, ed. Yale University Press and Minneapolis Institute of Art, 2023.
Gandhi, Pujan. “Isabella Stewart Gardner’s Travel Albums through India.” In Fellow Wanderer: Isabella Stewart Gardner’s Travel Albums, edited by Diana Seave Greenwald and Casey Riley, 95-135. Boston and Princeton: Isabella Stweart Gardner Museum, Princeton Univeristy Press, 2023.
Diana Seave Greenwald and Casey Riley, ed. “Fellow Wanderer: Isabella Stewart Gardner’s Travel Albums.” Princeton, NJ: Princeton University Press, April 4, 2023. https://press.princeton.edu/books/hardcover/9780691973869/fellow-wanderer
Liu, Yang. “Encompassing the ‘Eternal Offerings: Chinese Ritual Bronzes’ Exhibition,” a series of 10 articles compiled in Arts China, Feb. 20 – April 19, 2023.
Liu, Yang. “Eternal Offerings: A Show of Chinese Bronze at Mia Unfolds with Drama.” Orientations (March/April 2023): 68-79.
Liu, Yang. “Lost Deities: Daoist Cliff Sculptures at Xianshan in Mianyang through the Lens of Victor Segalen”, in Broadening and Transcending: An International Symposium on Art History and Museology, Shanghai Museum, 2023 (forthcoming).
Liu, Yang with Su Rongyu. “A Study of the you Vessel with a Square Cross-section from the Late Shang”, in Zhongguo gudai zaowu guannian yu chuantong yanjiu (On Ancient Chinese Concept and Tradition of Object Making), ed. Lian Chunhai, etc. Wenwu Press, 2023 (forthcoming).
Marks, Andreas. The Art and Life of Fukuda Kodōjin: Japan’s Great Poet and Landscape Artist. Minneapolis Institute of Art and Tuttle: 2023.
https://www.tuttlepublishing.com/japan/the-art-and-life-of-fukuda-kodojin-9784805317778
Marks, Andreas. Japanese Yokai and Other Supernatural Beings. Tuttle: 2023.
https://www.tuttlepublishing.com/japan/japanese-yokai-and-other-supernatural-beings-9784805317150
McGarry, Rachel. “‘Como una abeja entre las flores’, el joven Guido Reni entre Bolonia y Roma” in Guido Reni. Madrid: Museo del Prado, 2023. Exhibition catalogue.
Rassieur, Tom. “Castiglione at the Kunsthaus Zurich.” Print Quarterly, XL, 2023, 2, p. tbd
Rassieur, Tom. “How love grows cold: The curious adage behind a visiting painting.” (Minneapolis Institute of Art, 2023)
Rassieur, Tom, Winifred Smith and Gabriel P. Weisberg. “Reflections on Reality:
Drawings and Paintings from the Weisberg Collection” (Minneapolis Institute of Art, 2023).
[Forthcoming – Riley, Casey] . “‘Washington Could Now Have a Conversation with Her Portrait’: Venerating Ella Watson,” in American Gothic: Gordon Parks and Ella Watson, ed. Casey Riley and Philip Brookman, with essays by Melanee C. Harvey, Hank Willis Thomas, Salamishah Tillet, and Deborah Willis. Minneapolis, MN: Minneapolis Institute of Art; Pleasantville, NY: The Gordon Parks Foundation; and Gottingen, Germany: Steidl, 2023.
[Forthcoming – Riley, Casey] . “Researching the Legacy of the Native Indian/Inuit Photographers’ Association (NIIPA): An Interview with Rhéanne Chartrand,” in In Our Hands: Native Photography, 1890 to Now, ed. Jaida Grey Eagle, Casey Riley, and Jill Ahlberg Yohe. Minneapolis, MN: Minneapolis Institute of Art; New Haven, CT: Yale University Press, 2023.
Welch, Matthew. “Kondo Takahiro’s Reduction Series” in Transcendent Clay: Kondo a Century of Japanese Ceramic Art” ed. Joe Earle and Melanie B.D. Klein, 101-107. Coral Gables, FL: Lowe Art Museum, University of Miami, 2023.
Welch, Matthew. “The Making of ‘Eternal Offerings’: A Collaboration.” Orientations (March/April 2023): 62-67.
2022
Art History and Museology
Cozzolino, Robert. “An Expanding Landscape: George Morrison,” in Charles Eldredge, ed. The Unforgettables: Expanding the History of American Art. Berkeley: University of California Press, 2022.
Gandhi, Pujan. “With New Light: Mia’s Reinstalled Himalayan, South and Southeast Asian Art Galleries.” Orientations (September/October 2022): 92-100.
Liu, Yang. “The Adaptation and Transformation of Eurasian Animal Style Art in Qin Gold Ornaments,” in Annals of Transcultural History of Art, vol. III, ed. Li Jun, 19-56. Jinan: Shandong Fine Art Press, 2022.
Liu, Yang. “Kuangzhong meiren – Qingdai huihua Zhong de nvxing xingxiang (A Beauty Within the Frame: Female Imagery in Qing Painting)”, Palace Museum Journal, 11 (2022): 59-70.
Liu, Yang. “Webs of Obligation: The Social Dimension of Calligraphy Art in Late Imperial China,” in When Art Met History: A Symposium on the Rev Richard Fabian Collection, ed. Iris Miao. New York: Bonhams, 2022, pp. 54-74
Liu, Yang. “Ya Chou lei: A Unique Late Shang Wine Vessel at Mia from the Former Qing Imperial Collection”, Orientations (Sept/Oct 2022): 2-11.
Marks, Andreas. “‘Dressed by Nature: Textiles of Japan,’” in Orientations vol. 53 no. 3 (May/June 2022), p. 76–85.
Marks, Andreas. Japanese Woodblock Prints: 40th Ed. Taschen: 2022.
https://www.taschen.com/en/books/art/40703/japanese-woodblock-prints-40th-ed/
Marks, Andreas. “Secrets of the Scales,” in HALI no. 212 (Summer 2022), p. 126–129.
McGarry, Rachel and Cecilia Frosinini, eds., Botticelli and Renaissance Florence. Minneapolis: Minneapolis Institute of Art, 2022. Exhibition catalogue.
Rassieur, Tom. Entries for McGarry, Rachel and Cecilia Frosinini, eds., Botticelli and Renaissance Florence. Minneapolis: Minneapolis Institute of Art, 2022. Exhibition catalogue.
Riley, Casey. “Fun with Photography: Feminist Ironies in Marcia Resnick’s Photobooks,” in Marcia Resnick: As It Is, or Could Be, by Frank Goodyear III, Lisa Hostetler, and Casey Riley, with afterword by Laurie Anderson. New Haven, CT: Yale University Press, March 15, 2022. https://yalebooks.yale.edu/book/9780300254655/marcia-resnick/
2021
Art History and Museology
Ahlberg Yohe, Jill “Unlimited Editions: Four Indigenous Artists at Highpoint” Jon, Dennis Michael, ed., Jennifer L. Roberts, and Jill Ahlberg Yohe. Highpoint Editions: A History & Catalogue, 2001–2021. Minneapolis: Minneapolis Institute of Art, 2021
Alexander Bortolot and Jennifer Komar Olivarez, “Bringing Stories Back into Spaces: ‘Living Rooms’ at the Minneapolis Institute of Art,” essay in Revisiting the Past in Museums and at Historic Sites, Anca I Lasc, Andrew McClellan and Änne Söll, editors (Routledge, 2021).
Cozzolino, Robert, ed. Supernatural America: The Paranormal in American Art. Chicago and Minneapolis: Minneapolis Institute of Art and University of Chicago Press, 2021.
Winner of the 2022 Alfred H. Barr Jr. Book Award, College Art Association.
Cozzolino, Robert. “Bob Thompson and the Invisible,” in Diana Tuite, ed. Bob Thompson: This House is Mine. Yale University Press and Colby College Museum of Art, 2021.
Jon, Dennis Michael, Jennifer L. Roberts, and Jill Ahlberg Yohe. “Highpoint Editions: A History & Catalogue, 2001–2021” (Minneapolis Institute of Art, 2021).
Nicole LaBouff, “Public Science in the Private Garden: Noblewomen Horticulturalists and the Making of British Botany.” History of Science 59 (3): 223-55.
Liu, Yang. “In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Arts (Part 1).” Orientations (March/April 2021): 26-36.
Liu, Yang. “In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Arts (Part 2).” Orientations (May/June 2021): 60-68.
Liu, Yang. “In Pursuit of the Picturesque: Jades from the Qianlong Era in the Minneapolis Institute of Arts (Part 3).” Orientations (Sept/Oct 2021): 70-84.
Marks, Andreas. “Funada Gyokuju: Complex and Compulsive,” in Impressions 42 part 2 (New York: Japanese Art Society of America, 2021), p. 144.
Marks, Andreas. Hokusai: Thirty-Six Views of Mount Fuji. Taschen: 2021.
Jon, Dennis Michael, Jennifer L. Roberts, and Jill Ahlberg Yohe. “Highpoint Editions: A History & Catalogue, 2001–2021” (Minneapolis Institute of Art, 2021).
https://www.taschen.com/en/books/art/01194/hokusai-thirty-six-views-of-mount-fuji/
Marks, Andreas et al. Masterpieces from the Japanese Painting Collection of the Minneapolis Institute of Art. Yomiuri Shimbun: 2021.
Marks, Andreas. “Masterpieces from the Japanese Painting Collection of the Minneapolis Institute of Art”, in Ukiyo-e geijutsu (Ukiyo-e Art) 182 (Tokyo, 2021), p. 52–54.
McGarry, Rachel. Envisioning Evil: The Nazi Drawings by Mauricio Lasansky. Minneapolis: Minneapolis Institute of Art, 2021. Exhibition Catalogue
Riley, Casey “Of Color: Todd Webb’s Images of Africa in the American Civil Rights Era.” In Todd Webb in Africa: Outside the Frame, ed. Aimée Bessire and Erin Hyde Nolan, 192-193. London, UK: Thames & Hudson, January 26, 2021. https://www.thamesandhudsonusa.com/books/todd-webb-in-africa-outside-the-frame-hardcover
2020
Art History and Museology
Ahlberg Yohe, Jill. “Marlowe Katoney: Navajo Textile Artist and Painter” First American Art no.27 (Summer 2020): 66-71.
Banks, Coco. “Women in Late Imperial Chinese Painting.” Asian Art Newspaper, April 27, 2020. https://asianartnewspaper.com/captive-beauties/.
Cozzolino, Robert. “Peter Saul and American Terror,” in Gary Carrion-Murayari, ed. Peter Saul: Crime and Punishment (New York: New Museum, 2020).
Cozzolino, Robert. “Processional,” in Laura Joseph, ed. Harriet Bart: Abracadabra and Other Forms of Protection (Minneapolis: Weisman Art Museum and the University of Minnesota Press, 2020).
Grootaers, Jan-Lodewijk. “The Last Yanda Figures. Twenty-Four Zande Figures from the Jay T. Last Collection.” Tribal Art 24 no 3 (Summer 2020): 58-73. [Also published in French as “Figures yanda des Zande. Vingt-quatre sculptures ubanguiennes de la collection Jay T. Last.” Ibid.]
LaBouff, Nicole. “Public Science in the Private Garden: Noblewomen Horticulturalists and the Making of British Botany c. 1785-1810.” History of Science (October 2020): 1-33.
Liu, Yang, “Captive Beauties: Depictions of Women in Late Imperial China.” Arts of Asia (July/August 2020): 1-11.
Liu, Yang, “Majiayuan chutu jinyinshi dongwu zaoxing de ouya youmu wenhua yuantou (Eurasian Nomadic Origins of Animal Imagery in the Gold and Silver Ornaments Excavated from Majiayuan)”, in Qin and Rong, edited by Wang Hui (Beijing: Wenwu Press, 2020), 1-45.
Liu, Yang, ‘“Shang dashan, jian shenren”: Cong xihan chu dao donghan biandong de shanyue xingxiang ji renshou muti (‘Going up to the Mountains, Encountering Immortals’: The Shifting Imagery of Mountains, Men, and Animals from Early Western Han to Eastern Han), in Occult Arts, Art History, and Cultural Exchange in Early China: A Festschrift in Honor of Professor Li Ling on the Occasion of his Seventieth Birthday, Zhejiang University Journal of Art and Archaeology, Supplement 2, Edited by Miao Zhe and Guolong Lai (Zhejiang University Press, 2020), 1-68.
Marks, Andreas. “Hagiwara Hideo’s Abstract Prints.” Orientations (September/October 2020): 76–85.
Olivarez, Jennifer Komar. “A Custom House with a Custom Problem.” Mia Stories (blog). Minneapolis Institute of Art, March 5, 2020.
Riley, Casey. “Commerce and Connoisseurship: Isabella Stewart Gardner’s Catalogue MCM.” Mitteilungen des Kunsthistorischen Institutes in Florenz LXII Band Heft I (2020): 93-107.
Riley, Casey. “To Make a Case: Isabella Stewart Gardner’s Archival Installations at Fenway Court,” in Boston’s Apollo: Thomas McKeller and John Singer Sargent, edited by Nathaniel E. Silver, 154-173. New Haven, CT: Yale University Press, 2020.
Riley, Casey. “Understanding of the Artist,” in In The Company of Artists, edited by Margaret Burchenall, 8-11. Boston, MA: Isabella Stewart Gardner Museum, 2020.
Riley, Casey. “Picturing Childhood: Alec Soth on the Quirky Delights of Photo Books for Kids.” Mia Stories (blog). Minneapolis Institute of Art, April 13, 2020.
Ritter, Gabriel. “Nature Within, Nature Without,” in Yoo Youngkuk: Quintessence, ed. Rosa Maria Falva (New York: Rizzoli, 2020), 14-29.
Ritter Gabriel. “Letters to the Reader,” in Taro Izumi: Ex, ed. Séverine Fromaigeat (Berlin: Hatje Cantz, 2020), 42-73cm; 2657-2687cm; 3243-3273cm.
Learning in Museums
Anderson, Alice and Michelle A. Mileham. “Welcome to the Museum: Reflecting on Representation and Inclusion in Museum Evaluation.” Curator: The Museum Journal (October 5, 2020)
2019
Art History and Museology
Ahlberg Yohe, Jill and Teri Greeves. “Introduction,” in Jill Ahlberg Yohe and Teri Greeves, eds. Hearts of Our People: Native Women Artists, Minneapolis Institute of Art in association with University of Washington Press, 2019: 12-27.
Ahlberg Yohe, Jill. “Mary Sully:Ahead of her Time,” and “Animate Matters: Thoughts on Native American Art Theory, Curation, and Practice,” in Jill Ahlberg Yohe and Teri Greeves, eds. Hearts of Our People: Native Women Artists, Minneapolis Institute of Art in association with University of Washington Press, 2019: 103-107, 169-181.
Cozzolino, Robert. “Is it Ok to see this?” Curatorial intervention for Archives of American Art Journal (Fall, 2019).
Cozzolino, Robert. “Tom Uttech: Emerging,” in Tom Uttech Early Work (New York: Alexandre Gallery, 2019).
Cozzolino, Robert. Essays on Benny Andrews, Barnett Newman, Jim Nutt, Faith Ringgold, Peter Saul, May Stevens, and William Weege. Melissa Ho, ed. Artists Respond: American Art and the Vietnam War, 1965 to 1975 (Smithsonian American Art Museum, 2019).
Feldman, Kaywin and Karleen Gardner, “Changing the Museum for a Changing World,” in Mission Matters: Relevance and Museums in the 21st Century, by Gail Anderson. Lantham, MD: Rowman & Littlefield, 2019.
Grootaers, Jan-Lodewijk. “Ngbandi Beliefs.” In African Religions. Beliefs and Practices through History, edited by David Thomas and Temilola Alanamu, 186-187. Santa Barbara: ABC-CLIO, 2019.
LaBouff, Nicole, and Emily Beck, eds. Alcohol’s Empire: Distilled Spirits in the 1700s Atlantic World. Minneapolis: Minneapolis Institute of Art, 2019.
Liu, Yang. “A Note Left for Absent Edmund (1940–2019).”Orientations (May/June 2019): 2-4.
Liu, Yang, “Flower and Bird Motifs in the Decoration of Changsha Bowls,” Orientations (July/August 2019): 44-53.
Liu, Yang, Su Rongyu and Yue Zhanwei, “Lun jiaojie tiliangyou zhong de shu fenzhu qingtongqi (The cast-on technique and the making of hinges of you bronze wine vessels),” Bronze and Bronze Inscription, Shanghai, vol. 2 (2019): 368-86.
Marks, Andreas. Japanese Woodblock Prints (1680–1938). Taschen: 2019.
Olivarez, Jennifer Komar. “How the Purcell-Cutts House Defined Modernity, and Me.” In Midwest Architecture Journeys, edited by Zach Mortice, pp. 173-177. Cleveland: Belt Publishing, 2019.
Riley, Casey and Gihring, Tim. “Meadow Muska on Photographing Illicit Love, the Women’s Land Movement, and Why She’s Come Forward.” Mia Stories (blog). September 19, 2019.
Ritter, Gabriel. “Painting and the Care of Representation: An Interview with Aliza Nisenbaum,” in Aliza Nisenbaum, ed. Amanda Singer (Berlin: Hatje Cantz, 2019), 15-27.
Learning in Museums
Anderson, Alice, Megan Goeke, Amber M. Simpson, and Adam V. Maltese. “Where Should Learners Struggle? Developing a Failure Mindset Through Maker Activities.” Connected Science Learning, Issue 12 (December 2019)
Gardner, Karleen. “Museums as Incubators for Social Innovation,” in Designing for Empathy, edited by Elif M. Gokcigdem. Lantham, MD: Rowman & Littlefield, 2019.
Gardner, Karleen and Elisabeth Callihan, “An Institutional Commitment to a New Model of Community Collaboration,” in Partnership Power: Essential Museum Strategies for Today’s Networked World, by Marsha L. Semmel. Lantham, MD: Rowman & Littlefield, 2019.
ZumBahlen, Kara, Juline Chevalier, Debra Hegstrom, Ann Isaacson, and Daliya Jokondo, eds. Tour Toolkit: Developing an Inclusive Tour, Department of Interpretation and Participatory Experiences, Minneapolis Institute of Art, 2019.
Media and Technology
Lloyd-Baynes, Frances. “Preserving Digital Art: The Innovation Adoption Lifecycle.” Museum-ID Issue 24 (September/October 2019)
2018
Art History and Museology
Ahlberg Yohe, Jill. Review of Material Vernaculars: Objects, Images, and Their Social Worlds by Jason Baird Jackson, ed. Journal of Anthropological Research 74:1 (2018): 132-133
Cozzolino, Robert, and Maggie Taft, eds. Art in Chicago: A History from the Fire to Now. Chicago: University of Chicago Press, 2018.
Cozzolino, Robert. Fred Stonehouse. Milwaukee: Tory Folliard Gallery, 2018. Exhibition catalogue.
Cozzolino, Robert. “George Tooker, Highway (1953).” Conversations with the Collection: A Terra Foundation Collection Handbook, 2018.
Cozzolino, Robert. “Seeding the Ground: Chicago Encounters Surrealism.” In A Home for Surrealism, edited by Janine Mileaf. Chicago: The Arts Club of Chicago, 2018. Exhibition catalogue.
Cozzolino, Robert. “The Sorceress in the Center of Everything.” In Gertrude Abercrombie, edited by Dan Nadel. New York: Karma, 2018. Exhibition catalogue.
Cozzolino, Robert. “A Terrifying and Ecstatic Reality.” Jane Lund, My Life’s Work So Far (Impress, 2018).
Feldman, Kaywin. “Museum Leadership in a Time of Crisis.” Apollo Magazine, May 28, 2018 (Titled “Leading Questions” in Apollo Magazine print edition.)
Grooaters, Jan-Lodewijk and Nicole LaBouff. “Indigo expertise: Malian artist Aboubakar Fofana examines Mia’s West African textiles.” Mia Stories (blog). Minneapolis Institute of Art, August 9, 2018.
Grootaers, Jan-Lodewijk. Multiple entries on Ubangian artworks. In Unrivalled Art. Spellbinding Artefacts at the Royal Museum from Central Africa, edited by Julien Volper, 50-51 and 146-149. Tervuren: Royal Museum for Central Africa, 2018.
LaBouff, Nicole. “Botanomania and the secret history of women plant collectors.” Mia Stories (blog). Minneapolis Institute of Art, April 24, 2018.
LaBouff, Nicole. “Embroidery and the Art of Information Management: The Needlework of Mary Queen of Scots (1542-1587) and Bess of Hardwick (c. 1527-1608) Reconsidered,” The Huntington Library Quarterly 81 no 3 (2018): 315-58.
Liu, Yang. “Where Dragons Dwell: Power and Beauty in China’s Last Dynasty.” Orientations (January/February 2018): 1-12.
Marks, Andreas. “Bamboo Art in Japan since the End of the Second World War.” In Fendre l’air: l’art du bamboo japonais. Paris: Musée du quai Branly-Jacques Chirac and Editions Skira, 2018. Exhibition catalogue.
McGarry, Rachel. “The Emergence of the Bolognese School: The Collection of the Duke of Orléans.” In The Orléans Collection, October 2018. Exhibition catalogue.
McGarry, Rachel. “The Paper Chase: A curator’s obsession with paper in paintings.” Mia Stories (blog). Minneapolis Institute of Art, July 8, 2018.
Noon, Patrick. Richard Parkes Bonington. New York: Richard L. Feigen & Co, 2018. Exhibition catalogue.
Olivarez, Jennifer. “Design, silence, and Robert Wilson: My Watermill Center experience.” Mia Stories (blog). Minneapolis Institute of Art, April 6, 2018.
Riley, Casey. “An Artist in Residence: John Singer Sargent at Fenway Court.” In Sargent on Location: Gardner’s First Artist-in-Residence, ed. Christina Nielsen. Boston, MA and London, UK: Paul Holberton Publishing and The Isabella Stewart Gardner Museum, 2018. Exhibition catalogue.
Ritter, Gabriel, interviewer. “Sara Cwynar’s Contemporary Nostalgia.” Aperture. October 3, 2018.
Williams, Keisha. “Occupying unapologetically: Friday Late: gal-dem – radical trust and co-production at the Victoria and Albert Museum, London.” In Accessibility, Inclusion, and Diversity in Critical Event Studies, edited by Rebecca Finkel, Briony Sharp, and Majella Sweeney. New York: Routledge, 2019.
Learning in Museums
Gardner, Karleen. “Yes, And…Comfort and Discomfort in Museum Guide Programs.” Museum Education Roundtable Blog. Published January 2018.
Media and Technology
Halverson, Gretchen. “Digital Storytelling coming to a museum near you: 3 reasons to use Lume.” American Alliance of Museums, Alliance Blog. Published March 12, 2018.
Hegley, Douglas, Meaghan Tongen and Andrew David. “Ticketing 2017: Two new projects take on complex challenges.” MW2018: Museums and the Web 2018. Published January 22, 2018.
2017
Art History and Museology
Ahlberg Yohe, Jill. Why So Many People Claim To Be Cherokee Who Aren’t And Why That Matters. Mia Stories (blog). October 4, 2017. https://new.artsmia.org/stories/why-so-many-people-claim-to-be-cherokee-who-arent-and-why-that-matters/
Ahlberg Yohe, Jill and Roshii Montano (Navajo). “Blanketing the Plains: Hanoolchaadi in Indian Country.” First American Art Magazine No. 13 (Spring 2017).
Bortolot, Alexander. “Artesãos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives, and the Art of Socialist Revolution in Post-Colonial Mozambique.” Field: A Journal of Socially Engaged Art Criticism 6 (Winter 2017).
Bortolot, Alexander. “Who is an American? Here’s one way museums can ask–and answer.” Trending Now (blog). Minneapolis Institute of Art, July 19, 2017.
Cozzolino, Robert. “‘Certainly not casting stones’: Honoré Sharrer’s Religious Imagery.” In Subversion and Surrealism in the Art of Honoré Sharrer, edited by M. Melissa Wolfe, 75-91. New Haven: Yale University Press, 2017.
Cozzolino, Robert. “Hearth, Home and Horror: David Lynch’s idyllic childhood birthed dreams of dark and troubling things.” The Review, Toronto Film Festival, May 18, 2017.
Feldman, Kaywin. “Guerrillas in our Midst: A Museum Director’s Appeal for a New Feminist Agenda.” In Feminism and Museums, edited by Jenna Ashton, vol. 1. Boston: MuseumsEtc, 2017.
Feldman, Kaywin. “Material girls: What a show of prehistoric female figurines says about us” Mia Stories (blog). Minneapolis Institute of Art, January 11, 2017.
LaBouff, Nicole. “Science is for Lovers: Why the planet needs scientists and passionate amateurs to work together.” Mia Stories (blog). Minneapolis Institute of Art, April 20, 2017.
Liu, Yang. “Bronzes of the South: Recent Discoveries from Yejiashan in Suizhou.” Orientations 48 no. 2 (March 2017): 2-9.
Liu, Yang. “Estranged Landscapes: Liu Dan’s Reimagination of European Old Master Paintings.” Arts of Asia 47 no 1 (January 2017): 96-104.
Maitland Padma. “A House for the Nation to Remember: A correspondence of emotions between Jawaharlal Nehru and G.D. Birla, 1948.” In Historicizing Emotions: Practices and Objects in India, China, and Japan, edited by Barbara Schuler. Leiden: Brill, 2017.
Marks, Andreas. Hiroshige & Eisen: The Sixty-Nine Stations along the Kisokaido. Köln: Taschen, 2017. Exhibition catalogue.
Marks, Andreas. Hard Bodies: Contemporary Japanese Lacquer Sculpture. Minneapolis Institute of Art and University of Washington Press, 2017. Exhibition catalogue.
McGarry, Rachel. “Winter is Here: Revelations on Game of Thrones in the Art of Albrecht Dürer.” Mia Stories (blog) Minneapolis Institute of Art, July 13, 2017.
Nakamori, Yasufumi. “Nobuyoshi Araki in the early 1970s.” In Nobuyoshi Araki and Tokyo. Munich: Pinakothek der Moderne, 2017. Exhibition catalogue.
Rassieur, Tom. “Albrecht Dürer: The Master Engravings.” In Learning to See: Renaissance and Baroque Masterworks from the Phoebe Dent Weil and Mark S. Weil Collection. Saint Louis Art Museum, 2017. Exhibition catalogue.
Riley, Casey. Christian Nielsen, and Nathaniel Silver. The Isabella Stewart Gardner Museum: A Guide. New Haven, CT: Yale University Press, 2017.
Rio, Aaron. “Amerika kara mita Sesson.” In Sesson: Kisō no tanjō, edited by Ryō Furuta, Okamoto Akiko, and Matsuya Fumi. Tokyo: Yomiuri Shimbun, 2017.
Rio, Aaron. Boundless Peaks: Ink Paintings by Minol Araki. Minneapolis: Minneapolis Institute of Art, 2017. Exhibition catalogue.
Rio, Aaron (served as English Language Supervisor). Nobuo, Tsuji and Takashi Murakami. Battle Royale! Japanese Art History—Nobuo Tsuji vs. Takashi Murakami. Translated by Christopher Stephens and Yuko Sakata. Tokyo: Kaikai Kiki, 2017.
Rio, Aaron, trans. Nobuo, Tsuji. “The Journey of Murakami’s Art.” In Utstillingskatalog Murakami by Murakami. Oslo: Astrup Fearnley Museet, 2017, 126-31. Exhibition catalogue.
Audience Engagement
Bruce, Eric. “Membership Isn’t the Top of the Mountain.” Alliance of Museums, Alliance Labs. September 6, 2017.
Hawes, Mitch. “How Minnesota Marketing are Rethinking the Ideal Customer Journey in 2017.” Minnesota Interactive Marketing Association. Summer 2017.
Prestegaard, Kristin. “Mia’s new strategy navigates changing consumer expectations, focuses on long-term sustainability.” Alliance of Museums, Alliance Labs. May 22, 2017.
Regan, Clare. “How Mia’s new strategy uses data to create personalized visitor experiences.” Alliance of Museums, Alliance Labs. June 19, 2017.
Learning in Museums
Black, Meg and Janice Lea Lurie. “The Many Faces of Wikipedia: Learning, Activism, and Social Archive.” Breakout session. Minnesota Digital Library Annual Meeting, May 31, 2017.
Callihan, Elisabeth. “Do Museums Need to Be More Socially Engaged?” Apollo Magazine, August 28, 2017.
Gardner, Karleen. “Empathy and the museum: Can art connect us to others?” Mia Stories (blog). Minneapolis Institute of Art, April 6, 2017.
Gardner, Karleen. “Changing Museum Practices to Change the World.” Museum Education Roundtable Blog. Published August 2017.
Media and Technology
Dust, Michael, Ryan Lee, and Xiaolu Wang. “The Making of ‘Of Us and Art – The 100 Videos Project.’” Produced by Mia Films, Minneapolis Institute of Art, March 27, 2017. Video, 4:09.
2016
Art History and Museology
Ahlberg Yohe, Jill, ed. Plains Indian Art of the Early Reservation Era: The Donald Danforth Jr. Collection at the Saint Louis Art Museum. Saint Louis Art Museum: 2016.
Ahlberg Yohe, Jill. We traveled to Standing Rock to deliver aid and support. We returned home with something greater. Mia Stories (blog). November 10, 2016.
Cozzolino, Robert. “Claiming the Unknown, the Forgotten, the Fallen, the Lost, and the Dispossessed.” Panorama: Journal of the Association of Historians and American Art 2, no. 2 (Fall 2016).
Cozzolino, Robert. “Guardian.” In Pat Traub, New Work. New York: Gallery Henoch, 2016. Exhibition pamphlet.
Cozzolino, Robert. “Ivan Albright, letter to Earle Ludgin.” In Pen to Paper: Artists’ Handwritten Letters from the Smithsonian’s Archives of American Art, edited by Mary Savig, 28. New York City: Princeton Architectural Press, 2016.
Cozzolino, Robert. “Myself before the war: John Wilde’s Early Work.” In John Wilde: The Early Works. Milwaukee: Tory Folliard Gallery, 2016. Exhibition catalogue.
Cozzolino, Robert. “Surrealism, Wisconsin Style.” In Bats, Babes, and Broccoli: Wisconsin Magic Realists. Chicago: Mongerson Gallery, 2016. Exhibition catalogue.
Cozzolino, Robert, Anne Classen Knutson, and David M. Lubin, Ed. World War I and American Art. Princeton: Princeton University Press and PAFA, 2016.
Feldman, Kaywin. “A Talent Strategy for Museum Innovation.” In Museum Ideas, edited by Gregory Chamberlain. Vol. 2, Innovation in Theory and Practice. England: Museum-iD, 2016.
Grooaters, Jan-Lodewijk. “Unmasking Zande Dance.” In Masks Dance, Bodies Exhult, edited by Anna Seiderer. Vol. 178, Studies in Social Sciences and Humanities. Tervuren: Musée Royal de l’Afrique Centrale, 2016, 83-106.
Grootaers, Jan-Lodewijk. “Mask.” In 75 in 25: Important Acquisitions at the Santa Barbara Museum of Art 1990-2015, edited by C. Dibble, 208-209. Santa Barbara: Santa Barbara Museum of Art, 2016.
Grootaers, Jan-Lodewijk. Review of Giant Masks from the Congo: A Belgian Jesuit Ethnographic Heritage, by Julien Volper. Anthropos 111, no 1 (2016): 310-311.
Jon, Dennis Michael. James Castle: The Experience of Every Day. Minneapolis: Minneapolis Institute of Art, 2016. Exhibition catalogue.
LaBouff, Nicole. “An Unlikely Christian Humanist: How Bess of Hardwick (c.1527-1608) Answered the ‘Woman Question.'” The Sixteenth Century Journal 47 no. 4 (Winter 2016): 847-82.
LaBouff, Nicole. “Candlelight Period Room Tour.” Produced by Mia Films, Minneapolis Institute of Art, January 20, 2016. Of Us and Art: The 100 Videos Project ep. 49.
LaBouff, Nicole. “Counting Sheep: Helena Hernmarck and the Revival of Sweden’s Signature Wool.” Mia Stories (blog). Minneapolis Institute of Art, June 29, 2016.
LaBouff, Nicole. “Helena Hernmarck: Weaver of Contrasts.” Scandinavian Review 103 no. 2 (Summer 2016): 22-35.
Liu, Yang. “A few moments with Bruce Dayton (1918-2015).” Orientations 47 no. 1 (January 2016): 70-71).
Liu, Yang. “Cadence of a Timeless Poem: A 13th Century Silver Plate Decorated with Chased ‘Red Cliff’ Scene.” Orientations 47 no. 1 (January 2016): 28-32.
Liu, Yang. Ink Unbound: Paintings by Liu Dan. Minneapolis: Minneapolis Institute of Art, 2016. Exhibition catalogue.
Liu, Yang. “Yinshang zhongyuan qingtongqi xiangwen de nanfang yuantou” (“Southern Origin of the Elephant Imagery in Late Shang Bronzes from Central Plains”). Bulletin of Hunan Provincial Museum 12 (2016): 1-15.
Marks, Andreas. “Meiji-Period War Prints and their Publishers.” In Conflicts of Interest: Art and War in Modern Japan, edited by Philip Hu. Saint Louis: Saint Louis Art Museum, 2016, 25-33. Exhibition catalogue.
McGarry, Rachel. “Boyhood: Watch John Singer Sargent’s ‘birthday boy’ grow up.” Mia Stories (blog). Minneapolis Institute of Art, December 20, 2016.
McGarry, Rachel. “Century-old mystery solved: the artist behind our window drawings.” Mia Stories (blog). Minneapolis Institute of Art, January 12, 2016.
McGarry, Rachel. “Summer vacation with Gustav Klimt, and a Hollywood-worthy mystery.” Mia Stories (blog). Minneapolis Institute of Art, August 19, 2016.
Nakamori, Yasufumi. “Imagine a City through Photography: Japan 1945-1968.” In Postwar: Art between the Pacific and the Atlantic, 1945-1965. Munich: Prestel in association with Haus der Kunst, 2016, 134-39. Exhibition catalogue.
Olivarez, Jennifer. “Worker elves or trolls? The peculiar story of the Purcell-Cutts House windows.” Mia Stories (blog). Minneapolis Institute of Art, September 14, 2016.
Rassieur, Tom, contributor. Martin Luther: Treasures of the Reformation. Minneapolis: Minneapolis Institute of Art, 2016. Exhibition catalogue.
Rio, Aaron. “Medieval Ink Paintings from the Mary Griggs Burke Collections of Japanese Art at the Minneapolis Institute of Art and Metropolitan Museum of Art.” Orientations 47 no. 2 (March 2016): 145–153.
Rio, Aaron, trans. “Hirose Ichirō x Takashi Murakami—On Pottery.” In Yokohama Museum of Art, ed., Takashi Murakami’s Superflat Collection: From Shōhaku and Rosanjin to Anselm Kiefer. Yokohama: Yokohama Museum of Art, 2016. Exhibition catalogue.
Rio, Aaron, trans. Isao, Kumakura. “Sen no Rikyū and Takashi Murakami.” In Takashi Murakami’s Superflat Collection: From Shōhaku and Rosanjin to Anselm Kiefer (Yokohama: Yokohama Museum of Art, 2016). Exhibition catalogue.
Ritter, Gabriel. “Beyond Surrealism: Kitawaki Noboru and the Avant-Garde During Wartime Japan, 1931-1951.” PhD diss., University of California, Los Angeles, 2016.
Learning in Museums
Hegstrom, Debra. “Behind the scenes in broad daylight.” Once at Mia: 100 Years of the Minneapolis Institute of Art. Minneapolis: 2016.
Hegstrom, Debra. “Unlocking American History.” Once at Mia: 100 Years of the Minneapolis Institute of Art. Minneapolis: 2016.
Media and Technology
Hegley, Douglas, Meaghan Tongen and Andrew David. “The Agile Museum.” MW2016: Museums and the Web 2016. Published January 15, 2016.
Hegley, Douglas, Meaghan Tongen and Andrew David. “Ticketing 2017: Two new projects take on complex challenges.” MW2018: Museums and the Web 2018. Published January 22, 2018.
Lloyd-Baynes, Frances and Joshua Lynn. “A museum goes meta: Initiating enterprise content management at the Minneapolis Institute of Art.” Journal of Digital Media Management 5 no. 1 (Autumn/Fall 2016): 46-61.
2015
Art History and Museology
Grootaers, Jan-Lodewijk. Multiple entries on artworks from Congo, Chad, and Sudan. In Embodiments: Masterworks of African Figurative Sculpture, edited by Christina Hellmich and Manuel Jordan, 228-229 and 238-271. Munich. London, New York: DelMonico Books & Prestel, 2015.
LaBouff, Nicole. “Helena Hernmarck.” Produced by Mia Films, Minneapolis Institute of Art, December 7, 2015. Video, 2:38. Of Us and Art: The 100 Videos Project ep. 43.
Liu, Yang. “Innovative Design in Belitung Wreck Ceramics.” Bulletin of the Oriental Ceramic Society of Hong Kong (November 2015): 120-25.
Liu, Yang. “Emblems of Auspice: Chinese Lacquers of the 4th Century BCE from Jiuliandun.” Orientations (June 2015): 2-10.
Liu, Yang. “Emulating all Living Beings: A vogue in 18th century Chinese jade.” Arts of Asia (May/June 2015): 86-97.
Liu, Yang. Cast for Eternity: Ancient Ritual Bronzes from the Shanghai Museum, Williamstown & New Haven: Sterling and Francine Clark Art Institute and Yale University Press, 2015.
Riley, Casey. “Self-Assembled: Isabella Stewart Gardner’s Photographic Albums and the Development of her Museum, 1902-1924.” In Photographs, Museums, Collections: Between Art and Information, edited by Elizabeth Edwards and Christopher Morton. London, UK: Bloomsbury, 2015.
Learning in Museums
Chevalier, Juline. “Words & Pictures: Art, Literacy and Common Core Together.” Journal of Museum Education 40 no. 3 (October 2015): 227-37.
Gardner, Karleen. “Asking Beautiful, Scary Questions…” Museum Education Roundtable Blog. Published June 2015.