Blog
Fresh perspectives on art, life, and current events. From deep dives to quick takes to insightful interviews, it’s the museum in conversation. Beyond the walls. Outside the frame. Around the world.
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We traveled to Standing Rock to deliver aid and support. We returned home with something greater.
By Jill Ahlberg Yohe
They claim this mother of ours, the Earth, for their own use, and fence their neighbors away from her, and deface her with their buildings and their refuse. —Sitting Bull, 1875 In the Hunkpapa land of Sitting Bull, history is always being made. On a warm, sunny day in August, ...

Why is this curious mask in the Martin Luther show? The reformer’s brave take on the plague
By Tim Gihring
Don’t be surprised if the most popular image to emerge from “Martin Luther: Art and the Reformation,” Mia’s comprehensive look at the objects and art behind Luther’s 16th-century revolt against the Catholic Church, is not of the pulpit from which he preached his last sermons, or the life-size model of his ...

Artist Andrea Carlson on the unspoken history, unseen stories, and awkward moments behind her Mia project “Let: an act of reverse incorporation”
Andrea Carlson wasn’t sure the museum would go for it. After all, as she puts it, the participants and collaborators in Let: an act of reverse incorporation are “kicking in the front door of historic institutional power.” Carlson, who grew up in Minnesota and now lives in Chicago, has long drawn on her Anishinaabe (Ojibwe), ...

Next in line: An election-year look at power, succession, and chicanery in Mia’s collection
“Well, he’s never gonna be president now…that’s one less thing to worry about.” Thomas Jefferson’s taunting of his rival in the hit musical Hamilton has reverberated through the end of this never-ending election season, along with serious questions about the fitness of candidates and political traditions. And it’s prompted the Mia staffers in the museum’s ...

Once at Mia: A mummy and her secrets
Lady Tashat had roommates at first, fellow mummies, perhaps three or five altogether. They almost certainly didn’t know each other in life, but in death they were inseparable. In the late 1800s, mummies, statues, and other ancient objects were flowing out of Egyptian digs to Europe and America, to museums and millionaires. The director of the ...

Art Inspires: Kao Kalia Yang on Lucretia
He entered my room quietly. I was at my desk. He closed the door behind him. It was just the two of us. He carried a book in his hand. He said, “How are you?” I did the polite thing. We had a conversation. In the light from my desk, he was handsome, this dorm ...

Once at Mia: Touching the past
The Minneapolis Society for the Blind was touring Mia in October 1951 when they stopped in front of the museum’s ancient Assyrian relief and laid hands on it. The relief, being a relief, is perfectly suited to tactile appreciation. It was carved from stone more than eight centuries BCE, one of many such panels found in ...

The Mia connections behind one of this season’s most anticipated operas
On September 9, in a suburb of San Francisco, 119 people gathered at the Hong Kong Flower Lounge to dine on Peking duck, bird’s nest soup, and other classic Chinese dishes. Most of the diners were Minnesotans. Kevin Smith, the president of the Minnesota Orchestra, rose to speak. “Who would have thought that this little group from Minnesota ...

Once at Mia: The horse they rode out on
They were sixth-grade students from the old Hawthorne School on the north side of Minneapolis, on a field trip to Mia sponsored by the Junior League, and they had every right to be surprised. It was the spring of 1956, and the field trip was called Eyes on the East—at the time, Americans certainly were ...

How a British painter became the father of America’s national parks
Thomas Moran came to the United States with his family when he was 7. They came from northwest England, the blackened heart of the Industrial Revolution, anchored by textile mills that employed Moran’s father and many relatives before him. Their town was among the bleakest spots: “ruinous and miserable,” according to one account, its main ...
