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Fresh perspectives on art, life, and current events. From deep dives to quick takes to insightful interviews, it’s the museum in conversation. Beyond the walls. Outside the frame. Around the world.

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Once at Mia: Radio days

Radios have their own museums these days. But in the late 1940s or early 1950s, when this photo was taken of Mia director Richard Davis chatting with Florence Murphy and Pat Maloney on KUOM, radio was still the best way to communicate just about anything to a wide audience—including art history. Not long after the  ...

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Mia’s stone guardians: A journey from China to Minneapolis

Stoic, vigilant, fierce—Mia’s guardian lions watch over the 24th Street entrance of the museum. Today, the lions are a symbol of Mia, featured on postcards, mugs, and prints in the Store at Mia. But prior to 1998, going back to when the museum was built in 1915, their pedestals were unoccupied. In the 1990s, Ella Crosby was looking  ...

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Once at Mia: The portable curator

Her handbag can talk. It’s a kind of proto-Walkman, a portable record player called Solocast. And it played some of the first audio guides that Mia rented to visitors. Actually, it’s not clear that the arrangement ever got that far. Solocast solicited the museum’s director, who seemed eager to buy. And there’s some correspondence about placing orders.  ...

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Once at Mia: A love and death story

Lucretia was lost almost as soon as Rembrandt painted her, in 1666. Her portrait wasn’t in the inventory of works remaining in Rembrandt’s house after his death, and if it went to a buyer it wasn’t noted. By the time that Herschel V. Jones came across the painting, in the mid-1920s, it was in the  ...

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Mia collaborator Ann Hamilton is honored at the White House. A look back at her work in Minneapolis.

Hers was not the most familiar name on the guest list (that would be Stephen King or Sally Field or even Meredith Monk). But when Ann Hamilton received the National Medal of Arts from President Obama at the White House on Thursday, no one who knows her work would have been surprised. In her four-decade career as  ...

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Once at Mia: The laidback lecturer

They called them rap sessions. Free-form conversations. Just you and me, man. No shoes, no problem. This was the late 1960s or early 1970s, in the Print Study room of the museum. And Barbara Kaerwer, coordinator of Mia’s Student Volunteer program, appears perfectly comfortable meeting the teens where they’re at, tucked sideways in a chair,  ...

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Once at Mia: The professor and the owl

He holds the bronze owl in a curiously darkened room, posing for a newspaper photographer as though the incredible bird has just hatched before the flash bulbs. Umehara Sueji was a professor of archaeology and a historian of Far East cultures at the University of Kyoto when he came to Mia in January 1954 to  ...

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A fair to remember: Classic images of the Minnesota State Fair from Mia's collection

You know all the superlatives about the Minnesota State Fair, or you should: Highest attendance outside of the Texas state fair, which is far longer; held every year since 1859, a year after statehood (except on five occasions, due to various wars, epidemics, etc.); a corn dog you could wear as a belt. I hated it.  ...

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A fair to remember: Classic images of the Minnesota State Fair from Mia’s collection

You know all the superlatives about the Minnesota State Fair, or you should: Highest attendance outside of the Texas state fair, which is far longer; held every year since 1859, a year after statehood (except on five occasions, due to various wars, epidemics, etc.); a corn dog you could wear as a belt. I hated it.  ...

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Finding Stories in the Ordinary: Shana Kaplow’s “Near and Far”

Ink paintings of common household furniture overtake one of the Minnesota Artists Exhibition Program gallery walls at the Minneapolis Institute of Art. The ghostly remains of ordinary tables and chairs entice me to take a closer look. As I imagine sitting in those chairs and dining at those tables, this alluring overture gives way to  ...

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