Jordan Hamilton
Responds to Lottie Mooney’s
‘Housetop Quilt’
Listen Here
In the Presence of Our Ancestors. True to its title, many of the exhibitions artists are now ancestors. The works within the room stand as relics and testaments of their life and creativity while they were here. As a viewer, I found meaning in the title through stepping into the gallery to find that there were works that I felt a creative spirit, a resonance, and a kinship with. These were the pieces that drew me in and captured my attention. The most prominent of these being Lottie Mooney’s Housetop quilt. The balanced, bold line work and vibrant, minimal color palettes spoke to me. As one of the larger works in the room the scale of the quilt gives the piece of powerful presence. Full of energy while simultaneously grounding the show. Looking into this piece, as well as Lola Pettway’s Housetop quilt, led me to learn more about the quilters of Gee’s Bend, Alabama and the piece of Southern black art history.
Jordan Hamilton’s Offering
Cotton & polyester
23” x 30”
I’m fascinated with quilt work. Both quilting as a process, and the final beauty of the quilt. The process is meditative & rewarding for me. It feels like a natural step for me to begin quilting, merging my background as a painter with my appreciation for the tactile & functional. Quilting is in my family. My paternal grandmother, & her daughter, my Aunty, create beautiful works in fabric. My mother also creates intricate quilts and tapestries.I chose to pay homage to Mooney’s “housetop” quilt, by recreating the same design on a smaller scale, with some of my own variations. With this piece I pay tribute to the matriarch energy. The Mother. To the mothers in my life: My partner, my mother & grandmothers & the women who passed down their knowledge, stories & skills through quilting.
Jayanthi Rajasa & Jordan Hamilton
Queen Jaya, 2021
Digital photograph