Mykela Jackson
Responds to Herbert Singleton’s
‘Crucifixion Coffee Table’
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The connection I made with this piece and my own story is that I grew up in a Christian household always questioning our true connection to God. Despite the stories shared in which the White man played the savior, I always wanted to explore the possibilities of the true Gods being someone like me, or more similar to the descriptions of Him in the Bible. As I grew older and studied spirituality it changed my perspective on religion as a whole, in which my research had led me to a history of misuse in the indoctrination of Christianity amongst the African people. As I embarked on the traditional beliefs of my lineage it became clear how and why that information had been withheld in order to reprogram and control the majority. What comes up for me with the themes in which this exhibit shares is a spiritual journey and exploration of the history behind the Black body before White influence and the evolution of art through the creation of Culture without knowledge of self.
Mykela Jackson’s Virtual Altar Offering
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