About the Exhibition
Women have long been the creative force behind Native American art. Presented in close cooperation with top Native women artists and scholars, this first major exhibition of artwork by Native women honors the achievements of over 115 artists from the United States and Canada spanning over 1,000 years. Their triumphs—from pottery, textiles, and painting, to photographic portraits, to a gleaming El Camino—show astonishing innovation and technical mastery.
About the Native Exhibition Advisory Board
In 2015, Jill Ahlberg Yohe and Teri Greeves, curators of Hearts of Our People: Native American Women Artists, formed the Native Exhibition Advisory Board—a panel of 21 Native artists and Native and non-Native scholars from across North America—to provide insights from a wide range of nations at every step in the curatorial process.
Exhibition Advisory Board members include:
heather ahtone, Choctaw/Chickasaw, senior curator, American Indian Cultural Center and Museum, Oklahoma City; DY Begay, Navajo artist, Santa Fe; Janet Berlo, professor of Art History and Visual and Cultural Studies, University of Rochester; Susan Billy, Pomo artist, Ukiah, California; Katie Bunn-Marcuse, director and managing editor, Bill Holm Center for the Study of Northwest Coast Art, Burke Museum, Seattle; Christina Burke, curator, Native American and Non-Western Art, Philbrook Museum of Art, Tulsa; Kelly Church, Anishinaabe artist and educator, Michigan; Nadia Jackinsky, Alutiiq art historian, Anchorage; Heid Erdrich, Ojibwe writer and curator, Minneapolis; Anita Fields, Osage artist, Tulsa; Adriana Greci Green, curator, Indigenous Arts of the Americas, The Fralin Museum of Art at the University of Virginia; Carla Hemlock, Mohawk artist, Kahnewake; America Meredith, Cherokee, publishing editor of First American Art Magazine, Oklahoma City; Nora Naranjo Morse, Santa Clara artist; Cherish Parrish, Anishinaabe artist and educator, University of Michigan; Ruth Phillips, Canada Research Professor and Professor of Art History, Carleton University; Jolene K. Rickard, Tuscarora, artist and Associate Professor, The Department of the History of Art and Visual Studies, Cornell University; Lisa Telford, Haida artist, Seattle; Graci Horne, Dakhóta, independent curator, Minneapolis; and Dyani White Hawk, Lakȟóta artist and curator, Minneapolis.