Black pottery vase with geometric patterns.
Maria Martinez, American (Po-woh-ge-oweenge [San Ildefonso Pueblo]), 1886–1980; Julian Martinez, American (Po-woh-ge-oweenge [San Ildefonso Pueblo]), 1873–1943. Vessel, c. 1923–43. Blackware. Gift of Robert B. Tapp and Ana Martínez-Tapp. 91.177.3

Art by Women

Art by Women

Celebrate exceptional women artists with exhibitions, stories, videos, and podcast episodes.

Art by Women

Celebrate exceptional women artists with exhibitions, stories, videos, and podcast episodes.

Women Artists in the Collection

Explore artworks by the growing number of women artists represented in Mia’s collection. Their genius and creativity are found throughout history and across the world’s diverse cultures. With more than 100,000 artworks, Mia’s collection includes art from six continents, spanning about 7,000 years.

View Art by Women in Mia’s Collection

Women in Art Self-Guided Tour

On View Now

An Indigenous Art: Huipiles from Mia’s Collection

February 14, 2026 – August 2, 2026

Derived from a Nahuatl word, a huipil is a traditional blouse worn by women throughout Mesoamerica, particularly among the Maya, since before the 16th century when the Spanish arrived in the region. The garment remains especially prevalent in Guatemala’s highland regions, where a majority of Maya descendants reside today.

Built to Last: The Shogren-Meyer Collection of American Art

January 17, 2026 – June 14, 2026

This exhibition brings together paintings and photographs from the collection of Dan Shogren and Susan Meyer that explore the rich and complex meanings of industrial art during the first half of the 20th century.

Hiroshige’s 100 Views of Edo x Emily Allchurch

December 20, 2025 – August 23, 2026

Utagawa Hiroshige’s (1797–1858) iconic landscape series “One Hundred Famous Views of Edo” (modern-day Tokyo), first published in the 1850s, stands as one of the most celebrated collections of Japanese prints. Inspired by Hiroshige’s compositions, British artist Emily Allchurch (born 1974) created “Tokyo Story” using digital collage and photography.

The Abstract Worlds of Yoshida Hodaka and Chizuko

September 20, 2025 – October 4, 2026

Yoshida Hodaka (1926–1995) was born into a family of artists and leaned toward abstraction. In 1953, Hodaka married Chizuko (1924–2017), a trained painter. In addition to oil painting, both Hodaka and Chizuko worked in the woodblock print medium.

Past Exhibitions

Cassatt on Paper

Gallery 353

Mary Sully: Native Modern

Gallery 276

Monica Sheets: Das Fundbuero—Civics Lessons

U.S. Bank Gallery

Tia Keobounpheng: Revealing Threads

U.S. Bank Gallery

Marcia Resnick: As It Is or Could Be

Harrison Photography Gallery

Dayanita Singh: Pothi Khana

Perlman Gallery

Parallel Lines: New Textile Masterworks Inspired by Geometry

Robert and Marlyss White Gallery (Gallery 281)

Jovan C. Speller: Nurturing, and Other Rituals of Protection

U.S. Bank Gallery

Freedom Rising: I Am the Story / L’Merchie Frazier

Gallery 262, Gallery 275

L’Merchie Frazier is a fiber artist, quilter, historian, innovator, poet, and holographer. This show examines the lives and legacies of African-descended people, including children and their communities across centuries of memory, places, and activism.

Nicole Havekost: Chthonic

U.S. Bank Gallery

Nicole Havekost will explore the simultaneous joy, sublime embarrassment, and disorderly beauty of the human body through her anthropomorphic sculptures.

Unexpected Turns: Women Artists and the Making of American Basket-Weaving Traditions

Robert and Marlyss White Gallery (Gallery 281)
This installation chronicles experiments in basketry, all created by American women artists exploring the boundaries between art and craft, utility and whimsy, weaving and sculpture.

Intimate Space: A Noblewoman’s Bedroom in Late Imperial China

G218

In the male-dominated society of imperial China, most women were physically restricted to domestic spaces.

Virtual Exhibition

Breaking the Silence: International Women’s Day

“Breaking the Silence” is an observation of International Women’s Day. Participating artists call attention to the daily aggressions, whether physical or psychological, that all women face across the world and in every sector of society. This exhibit critiques the current social system that we live in, which permits and defends these particular inequities. “Breaking the Silence” also honors and supports women who are or have been victims of domestic violence, and recognizes the resilience of cis- and transgender women and non-binary people who work to build more equitable and safe communities for all.

View the virtual exhibition here

Maria Martinez, American (Po-woh-ge-oweenge [San Ildefonso Pueblo]), 1886–1980; Julian Martinez, American (Po-woh-ge-oweenge [San Ildefonso Pueblo]), 1873–1943. Vessel, c. 1923–43. Blackware. Gift of Robert B. Tapp and Ana Martínez-Tapp. 91.177.3