Center for Empathy and the Visual Arts
Mia is collaborating with museum colleagues as well as social scientists, artists, educators, and others to research and explore practices for fostering empathy and global understanding through the power of art and to share these findings with the field.
In our increasingly divisive world, polarized by issues regarding politics, racial inequities, marriage equality, global warming, income disparities, and immigration policies, it becomes clear that our failures to understand other people’s feelings are exacerbating prejudice, conflict, and inequality. If we wish to develop not only a more equal society but a happier and more creative one, we will need to look outside ourselves and attempt to identify with the experiences of others. This critical skill is called empathy, which, according to Roman Krznaric, an expert on empathy, “has the power to transform relationships, from the personal to the political, and create fundamental social change.”
Art museums, with their collections filled with stories of humanity from across the globe, are well-positioned to play a vital role in helping people understand each other. Minneapolis Institute of Art (Mia) champions the power of art—and the responsibility of art museums—to spark curiosity and creativity, connect people across cultural differences, and engage our individual and shared values.
Research & Resources
Learn more about the research goals and origins of the Center for Empathy and Visual Arts here.
Check out our experts’ recommended reading list on all things empathy and the visual arts here.
From the Field
Explore toolkits, curricula, and examples from other cultural institutions working with empathy here.
Now on View
Mapping Black Identities
Taking inspiration from Mia’s recent acquisition of Frank Bowling’s map painting False Start (1970), “Mapping Black Identities” challenges the notion of Black identity as monolithic. Championing the diverse experiences of artists from America, Africa, and the diaspora, this exhibition seeks to amplify underrepresented voices and create connections around the concept of Blackness in contemporary art across time and place.
Jonathan Herrera Soto: In Between / Underneath (Entremedio / Por Debajo)
Jonathan Herrera Soto will create a new rendition of his installation “In Between / Underneath (Entremedio / Por Debajo).” The work will depict recently murdered and missing Mexican journalists, highlighting the record number of journalists killed.
Art and Healing: In the Moment
Art and Healing: In the Moment is an exhibition of artwork made by community artists in response to the fatal shooting of Philando Castile. Castile was an African-American man who grew up in Saint Paul. On July 6, 2016, he was fatally shot by a police officer in the nearby town of Falcon Heights after being pulled over for a traffic stop. He was 32 years old.
The Many Voices of Colonial America
The Charleston Dining and Drawing Rooms came from the 1772 home of Col. John Stuart, who served as Superintendent of Indian Affairs for Britain’s southern colonies and was also an owner of enslaved Africans.
Martin Luther: Art and the Reformation
Five hundred years ago, Martin Luther ripped the fabric of European life by standing in open opposition to the most powerful men of his age. “Martin Luther : Art and the Reformation” examines his life and influence through the lens of artistic creation. Spectacular objects from both Catholic and Protestant contexts will highlight the role of art in the service of spiritual and earthly power.